Pieter Dirksen

Heinrich Scheidemann is regarded as one of the most influential organists of the 17th century. His most significant achievement lies within his further developing of his teacher J. P. Sweelinck's chor...

Froberger may no longer be considered the progenitor of the piano suite, but his suites for keyboard instruments have, without a doubt, had a considerable influence on the development of this genre. H...

Ein profilierter Cembalo-Komponist: Der Onkel von J. S. B.Johann Christoph Bach, der 'Eisenacher' Onkel von Johann Sebastian, ist heute bestenfalls durch seine Vokalwerke in Erinnerung geblieben. Wiev...

Alles außer 'Tabulatura nova' Wer davon ausgeht, Scheidt habe außer der 'Tabulatura nova' keine nennenswerten Clavierwerke hervorgebracht, darf umdenken. Pieter Dirksen legt 25 Stücke vor: zwölf davon...

Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...

Although the 'fantasia' was already considered as old-fashioned around 1700, this genre exerted a particular fascination on the very young Bach - he had since relocated to Köthen - and the experienced...

Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements b...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

La cantata "Ich habe meine Zuversicht" BWV 188 pertenece al llamado "año Picander" y estaba destinada al 21º domingo después de la Trinidad de 1728 o 1729. La cantata tiene un problema particular en s...

Erstdruck mit zusätzlicher Fassung in G-dur. Die Choralfantasie stand in der zweiten Hälfte des 17. Jahrhunderts im norddeutschen Raum hoch im Kurs und galt bei den Organisten als kunstvollste Instrum...

Die 'Cembalo-Gesamtausgabe' der Werke Heinrich Scheidemanns enthält zahlreiche Erstdrucke und darüber hinaus etliche Stücke, die erstmals nach allen verfügbaren Quellen ediert sind. Innerhalb dieser W...

Today, the concerto is one of the most popular works that introduces the early form of the classical solo concerto, primarily in the classroom. Thanks also for the melodic inventiveness.

Zusammenspielen, was zusammen gehört Die kleinen Stücke sind allesamt bekannt - nicht aber der schlüssige Zusammenhang, den Pieter Dirksen im Bach-Jahr 2000 aufgedeckt hat. Nach seinen Untersuchungen...

Rekonstruktion und Continuo-Aussetzung von Pieter Dirksen Mit der Rekonstruktion einer Triosonate nach BWV 528 wird das eher schmale Kammermusik-Repertoire Bachs aus der mittleren Weimarer Zeit erweit...

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

De la cantata de Navidad "Gloria a Dios en las alturas" BWV 197.1 (197a) sólo se conserva el texto y la última hoja de la partitura autógrafa, a partir del final de la 2ª aria. Ésta, así como la 3ª ar...

De la cantata de Navidad "Gloria a Dios en las alturas" BWV 197.1 (197a) sólo se conserva el texto y la última hoja de la partitura autógrafa, a partir del final de la 2ª aria. Ésta, así como la 3ª ar...

De la cantata de Navidad "Gloria a Dios en las alturas" BWV 197.1 (197a) sólo se conserva el texto y la última hoja de la partitura autógrafa, a partir del final de la 2ª aria. Ésta, así como la 3ª ar...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...

Only the text and the last page of the autograph score of the Christmas Cantata Ehre sei Gott in der Höhe BWV 197.1 (197a) have survived, beginning with the end of the 2nd aria. This, along with the c...

The cantata 'Ich habe meine Zuversicht' BWV 188 comes from the so-called 'Picander cycle' and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associat...