Sammy Nestico

In this beautiful showcase for alto saxophone, the overall performance can be loose but must convey great warmth. Brass section volume during background passages should be kept to a minimum. The pyram...

Originally written for and played by Bud Shank, this showpiece for alto sax features a wide dynamic range and calls for a soft, smooth approach to background figures. Though written solo lines are pro...

Performed by the great Count Basie Orchestra, this gentle swing ballad starring piano in the solo role features a big, dramatic climax just past the midpoint that'll be the highpoint of any concert pr...

Starting and ending as a ballad in a comfortable two-beat style, the jazz waltz midsection provides essential contrast in this beautiful arrangement of the Rimsky-Korsakoff classic. As always, attenti...

Over the years, this enduring standard has had many notable recording, such as Joe Williams, Peggy Lee and many others. Sammy's swingin' chart is a natural choice for any vocalist. A winner!

Brass and sax unisons, easy figures and a rich harmonic structure will make this a big hit with everyone. The primary solo is reserved for trumpet (optional written solo provided), but piano adds some...

That unmistakable Nestico touch gives this Latin standard a fresh new sound. Sammy's brilliant brass, sparkling woodwinds, and driving Latin rhythms create a concert piece that's truly exciting.

Solo-Jazzballade für Altsaxophon

First published in 1964, this colorful work in two movements -- 1. The Demure (expressive), 2. The Delightful (scherzando) -- features the irresistible melodies and rich harmonies for which Sammy Nest...

Here is the St. Louis Blues like you've never heard it before! It opens in a slow New Orleans style with optional parts for clarinet and tuba. Quickly shifting key and tempo, this masterful arrangemen...

Originally recorded in 1975 by Count Basie and titled because Basie loved to eat orange sherbert, this fresh setting features easy registers, strong jazz figures, and a bright, free-swinging style. A...

Originally written as a theme song for a television show, this swinger thrives on keeping good time and playing with a solid sound. A fully-voiced sax soli and full band shout are highlights, and shor...

Adapted directly from the version he penned for the Count Basie Orchestra, Sammy Nestico brings the signature style and familiar strains to this fabulous version for younger bands. ªThe solo spots for...

As recorded by Peggy Lee, Joe Williams, Count Basie and many others, this popular standard breathes new life under the masterful pen of Sammy Nestico. A flexible solo section allows for any combinatio...

Sammy has done a masterful job with this all-time great song. If you have a trombone soloist who doesn't get featured enough along with a good trombone section, check out this bluesy arrangement.

This classic blues was a standard of the Count Basie Orchestra for many years, and Sammy Nestico's very playable version for young groups really cooks!

Creative use of unisons will give young groups added confidence, and the polished ensemble writing adds just the right contrasts in this Basie-style masterpiece.

This sultry laid back swing tune was made famous by Peggy Lee, and in the hands of Sammy Nestico you just know you are in for something special. Great writing for young groups.

Das legendäre Stück "Opus One", meisterhaft arrangiert von Sammy Nestico, ist ein swingender Klassiker im Big-Band-Stil. Nesticos Arrangement besticht durch strahlende Blech-Sätze, energiegeladene Tut...

This is the definitive swing chart composed and arranged by the legendary Sammy Nestico. Straight from the Quincy Jones/Sammy Nestico Orchestra CD, this chart starts off swinging and then swings even...

Another hit from the Basie Straight Ahead album is this driving swinger in F minor. This chart gives the band a great chance to really play soft and make a huge build over an entire phrase to a fortis...

The quintessential recording of this chart was captured on the 1968 album called Basie Straight Ahead. Unlike many of Sammy's charts for Basie, this one starts with the Saxes and rhythm section instea...