Sammy Nestico

Originally written for the Sammy Nestico 'Dark Orchid' recording and later reprised on 'A Portrait Of Sammy,' this classic swing tune gives all of the solo work to piano -- first in the opening 48 bar...

This simplified version of the classic swinger recorded by the Count Basie Orchestra opens with a 12-bar piano solo backed by guitar, bass and drums before entrances by saxes, then brass, lead to a fu...

As recorded by the Count Basie Orchestra, this bright swing classic opens with an improvised piano solo backed by rhythm section before the whole band jumps on board 28 bars later. Tenor sax and piano...

As recorded by the Count Basie Orchestra on their Basie Big Band album, this easy swing excursion for proficient players has all the ingredients you'd expect from a classic Basie chart -- tasteful pia...

As recorded by the Count Basie Orchestra on their classic Basie-Straight Ahead album, this swingin' number will bring a smile to players and listeners alike as solo piano takes center stage from start...

As recorded on the great Basie-Straight Ahead album of 1968 by Count Basie, this swing outing features solid section and full-ensemble writing, brass buckets, sax scoops, drum fills, and piano in the...

Performed by Count Basie & His Orchestra, this classic swing excursion in bright 4 gets off to a great start with an ad lib piano solo followed by a full-group chorus. Then both tenors step into the s...

Originally issued in 1974, this chart penned for the Count Basie band has everything you'd expect from a Nestico classic -- solos for piano and tenor, sax and brass solis, a solid ensemble shout, and...

After a 35 year hiatus, multi-Grammy winning composer/arranger Sammy Nestico has joined forces with the Count Basie Orchestra to arrange this chart for the A Very Swingin' Basie Christmas CD (Concord...

Sammy Nestico, one of the most important figures in the evolution of the big band sound, has arranged this holiday classic for the Count Basie Orchestra recording A Very Swingin' Basie Christmas (Conc...

Sammy Nestico escribió este arreglo para el álbum "A Very Swingin' Basie Christmas" y ha sido tocado por muchas bandas de colegios e institutos desde su publicación. Es Sammy hasta la médula. Peter Bl...

Sammy Nestico escribió este arreglo para el álbum "A Very Swingin' Basie Christmas" y ha sido tocado por muchas bandas de colegios e institutos desde su publicación. Es Sammy hasta la médula. Peter Bl...

Sammy Nestico escribió este arreglo para el álbum "A Very Swingin' Basie Christmas" y ha sido tocado por muchas bandas de colegios e institutos desde su publicación. Es Sammy hasta la médula. Peter Bl...

Recorded on the SWR Big Band CD Fun Time and adapted from the tune Blue Daniel, this chart romps along in 'four' instead of 'three' and sounds harder than it is. It features a sax chorus and solos by...

Recorded by the SWR Big Band on the CD Fun Time, this tenor sax feature requires the backgorund volume to stay comfortable under the soloist. Save the volume for measure 28, and also the big build up...

Written in 1964 and dedicated to his trombone teacher, Matthew Shiner, this popular Nestico original is a warm ballad with rubato passages, two cadenzas, and a high range to B4 (opt. C5).

Known for his exceptionally rich tone and power, this jazz-flavored showcase for players with a working range to B5 is dedicated to the memory of the great Conrad Gozzo. Available in SmartMusic

Sammy's unparalleled craftsmanship is evident in this masterpiece for younger bands. In one tempo throughout, there's a hint of 'march style' and more than a hint of solid ensemble writing.

From the Count Basie library, this classic flag-waver from the pen of Sammy Nestico is available again! A true tour de force for every section of the band, this monster chart features blistering brass...

This arrangement calls for a very lazy feel. Keep saxes quietbehind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce so...

This arrangement calls for a very lazy feel. Keep saxes quiet behind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce s...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...