Walter Lebermann

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Streicher-Ergänzungssatz

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...

Stimmensatz - Horn I, Horn II, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Violoncelli/Kontrabässe

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

Partitur = Cembalo - 3 Violinen, Streichorchester und Basso continuo

A perfect example for an early symphony in the Neapolitan style.

Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...

Stimmensatz - 5 V I, 5 V II, 3 Va, 4 Vc/Kb

Violine/ Oboe, Basso continuo - Spielpartitur; Stimmensatz