Walter Lebermann

Stimmensatz chorisch - 5 Violinen I, 5 Violinen II, 3 Violoncelli, 2 Kontrabässe - 2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

Stimmensatz solistisch - 2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

Stimmensatz solistisch - 2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

The imitatively set ricercari of Palestrina's contemporary can be played soloistically or chorically by 'fiddling or blowing instruments'. A valuable collection of authentic Renaissance music.

The imitatively set ricercari of Palestrina's contemporary can be played soloistically or chorically by 'fiddling or blowing instruments'. A valuable collection of authentic Renaissance music.

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

Partitur = Cembalo - Streichorchester und B.c.

A perfect example for an early symphony in the Neapolitan style.

Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of aff...

Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...

Stimmensatz - Oboe I/II, Horn-d I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe

A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.

A symphony that impresses by intransigence, extremely hard sound clusters and extremely strong emphasis on affections.

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

Stimmensatz - 5 V I, 5 V II, 3 Va, 5 Vc/Kb - Viola und Streichorchester

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

A concerto of classical elegance, cantability and virtuosity. The allegro in sonata form and the serenade-like andante are followed by the brilliant rondo reminding of Mozart, with a charming minuet a...

Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This w...