Clásico

Introducing Gounod's beloved 'Ave Maria,' based on a prelude from J.S. Bach's Well-Tempered Clavier, in an accessible choral arrangement. The melody passes through all voices, while well-written chora...

Introducing Gounod's beloved 'Ave Maria,' based on a prelude from J.S. Bach's Well-Tempered Clavier, in an accessible choral arrangement. The melody passes through all voices, while well-written chora...

Introducing Gounod's beloved 'Ave Maria,' based on a prelude from J.S. Bach's Well-Tempered Clavier, in an accessible choral arrangement. The melody passes through all voices, while well-written chora...

Presenting one of Franz Schubert's masterpieces, skillfully arranged for developing choral groups. An elegant combination of sectional features and homophonic choral texture, this arrangement allows c...

A warm adagio introduction breaks into a joyous 'Hosanna' chorus in this 44-measure homophonic masterwork. Taken from Schubert's Mass No. 4, this edition offers sensible vocal ranges, editorial dynami...

A warm adagio introduction breaks into a joyous 'Hosanna' chorus in this 44-measure homophonic masterwork. Taken from Schubert's Mass No. 4, this edition offers sensible vocal ranges, editorial dynami...

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection - the first movement of Vivaldi's masterwork of the same name. Chor...

Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection - the first movement of Vivaldi's masterwork of the same name. Chor...

We publish in this collection the villancicos and cantatas al Santísimo by Francisco Corselli (1705-1778), chapelmaster of the Royal Chapel of Madrid. Each volume includes cantatas for a solo voice -s...

Gabriel Urbaine Fauré (1845-1924) was one of the foremost French composers of his generation, and his musical style influenced many composers in the 20th century. In 1881, Fauré composed the Messe des...

Kantate zum Sonntag Sexagesimae (Leipziger Fassung). Gemischter Chor-SATB - Chorpartitur

Dado que no se conservan fuentes originales ni documentos relativos al estreno de la presente cantata fúnebre Gottes Zeit ist die allerbeste Zeit BWV 106, no podemos demostrar el año de composición de...

Para celebrar el Tratado de Paz de Utrecht, que puso fin a la Guerra de Sucesión española en 1713, el "Utrecht Jubilate" fue compuesto ese mismo año, poco después de que Haendel hubiera compuesto el "...

Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...

> Choral score based on the Urtext of the series 'Works of Gioachino Rossini' > Supplements the already existing material available to this work The 'Petite Messe solennelle' is the finest work of Ros...

La "Petite Messe solennelle" es una obra muy tardía de Rossini. La compuso entre 1863 y 1864, a la edad de 71 años, como encargo de la condesa Louise Pillet-Will para la inauguración de su capilla pri...

Sämtliche Vokalwerke, Band 10.

> Prefacio bilingüe (inglés/alemán) Reducción para piano fácil de tocar (BA10706-90) El 'Dettingen Te Deum' fue compuesto con motivo de la victoria de Inglaterra contra Francia en la batalla de Dettin...

Haendel compuso el "Te Deum" en si bemol mayor HWV 281 en 1718 para el que más tarde sería duque de Chandos. Por ello, la obra pasó a conocerse como el "Te Deum de Chandos", pero aquí nos referiremos...

En 1739, Haendel puso música al texto de la oda a Santa Cecilia por segunda vez tras "La fiesta de Alejandro" en 1736. "Canción para el día de Santa Cecilia" se combinó entonces también con "La fiesta...

El Salmo 137, "Super flumina Babylonis", sirvió de inspiración a muchos compositores, entre ellos Camille Saint-Saëns. Saint-Saëns retomó en varias ocasiones su motete para soprano solista, coro mixto...