Amadeus

The edition is a great enrichment for scholarship, musical practice and singer training: a standard work of Italian-influenced German music of the early Baroque.

To write about Beethoven's chamber music, to analyze it, is a delicate undertaking, especially in the case of the often idolized Beethoven.However, it is convincingly fancy and leaves a positive impre...

With Unpublished LettersThe present text is the printed version of the Hindemith Lecture, of the Musicological Institute of the University of Zurich, which the author held on October 29, 2008 in the S...

With a contribution to the history of the Zurich autograph of the Fourth Symphony by Urs Fischer. Printed version of the Hindemith Lecture of 25 October 2010 of the Musicological Institute of the Univ...

Important early phonetic tablatures up to ca. 1525 from the Italian and German language areas, including the heart-shaped Italian manuscript from the Biblioteca Oliveriana in Pesaro and the so-called...

Printed version of the Hindemith Lecture of the Musicological Institute of the University of Zurich, held on 13 November 2018.

Contents: six motets from op.1, Magnificat on op.2, seven motets from op.5 and six litanies from op.6. Instrumentation ranges from monophonic chant with basso continuo to double-choir 'Concerto' with...

We praise the grandmaster Fasch, whose impressive compositional oeuvre, unpublished during his lifetime, is gradually being 'discovered'. He proves to be a superior contrapuntalist in instrumental pie...

set of parts (4,4,3,4,3)

In their passionate character, the pieces are reminiscent of Schumann's Novelletten, while the dreamy vocal parts appear wrapped in an arabesque robe of Chopinian delicacy. Everything has something qu...