Amadeus

Score: facsimile of the autograph.

The works of Schneider, who worked in the Royal Chapel in Berlin, reveal a preference for the soloistic use of the viola, which he knew how to employ in four tuplets.

After the Adagio for 2 clarinets and 3 basset-horns

Completed and edited by Franz Beyer.

Contemporaries praised Schwindl's excellently composed violin works, which were intended for effect. They are not difficult, although their 'spirit tends towards sweet melancholy', and are therefore a...

Albrechtsberger's preference for contrapuntal work is also evident in this duo. The piece lives entirely from the imitative development of the motives.

Source: André, 1855 and Litolff, 1891 (A. Schulz and J. Klingenberg).

Instrumentation: Alexander Uber.