Amadeus

Levys was a firm believer in tonality and was constantly on the lookout for new expressive possibilities. He had a preference for slightly varied motif repetitions, the frequent use of modal harmonies...

Edited after the first printing.

The Sonata for Violoncello and Clavier by Carl Heinrich Graun, published by Amadeus as a FIRST PRINT, was composed in 1775, during the late Baroque transitional period when the fortepiano slowly began...

Levy's compositional style firmly believed in tonality and was constantly searching for new expressive possibilities. He had a preference for slightly varied motif repetitions, the frequent use of mod...

Edited from the autograph

With his collected reviews for the 'Neue Zürcher Zeitung', the libretto for the fairy-tale opera 'Der Zauberschlaf' after Mathilde Wesendonck and a complete catalog raisonné.

25 articles and essays on Beethoven's solo concertos, chamber music genres, folk song arrangements, and the opera Fidelio, as well as comments on questions of form and instrumentation.

Published by the Music Academy of the City of Basel.

Published by the Music Academy of the City of Basel.

2 (Pic), 2 (EHn), 2 (BK1), 2/ 2, 2, 2, 0 / 2 Schlzg / Hf, Klav, Cel (Akk) / Str.

Performance practice - Description of all works, including chamber music and concertos - Classification of the groups of works in Bach's compositional development - Suggestions for interpretation.the...

Negotiation With the (music) history

Opera As a "Total Work of Art" - On the Relationship Between the Arts in Baroque Music Theater

Werk, Werkstatt, Handwerk - Neue Zugänge Zum Material der Alten Musiktexte In Deutsch und English (See Table of Contents)