Strauss Edition Wien / Verlagsgruppe Hermann

Das Label 'Arrangements' der Verlagsgruppe Hermann führt in seinem Katalog Werke der Weltliteratur in - gegenüber dem Original veränderten - Besetzungen von Kammermusik über Orchester bis hin zur Kamm...

Two tandems (that of saxophone and trumpet, and that of the two trombones) define the development of the perspectives in manifold processes of change. All in all, the cycle of "Perspectives" is part o...

A compilation of nine miniatures written for the first volume of a violin school (op. 26 I), and which exists in a total of five different versions. From a "Dance of Koldunian warlocks" to a "Night mu...

Fantasies and dreams about thirst, lakes, rivers and other waters, and the addictions to alcohol and pleasure (A parody of elements from the Blue Danube Waltz by Johann Strauss Jr.) Written for a perf...

Das Label 'Arrangements' der Verlagsgruppe Hermann führt in seinem Katalog Werke der Weltliteratur in - gegenüber dem Original veränderten - Besetzungen von Kammermusik über Orchester bis hin zur Kamm...

Das Label 'Arrangements' der Verlagsgruppe Hermann führt in seinem Katalog Werke der Weltliteratur in - gegenüber dem Original veränderten - Besetzungen von Kammermusik über Orchester bis hin zur Kamm...

Das Label 'Arrangements' der Verlagsgruppe Hermann führt in seinem Katalog Werke der Weltliteratur in - gegenüber dem Original veränderten - Besetzungen von Kammermusik über Orchester bis hin zur Kamm...

The poem [Once upon Epiph'ny Eve] by Pushkin’s contemporary Vasily Andreyevich Zhukovsky (1783-1852) refers to the post-Christmas custom of young girls wishing to interpret their future from various s...

The poem [Once upon Epiph'ny Eve] by Pushkin’s contemporary Vasily Andreyevich Zhukovsky (1783-1852) refers to the post-Christmas custom of young girls wishing to interpret their future from various s...

Das Label 'Arrangements' der Verlagsgruppe Hermann führt in seinem Katalog Werke der Weltliteratur in - gegenüber dem Original veränderten - Besetzungen von Kammermusik über Orchester bis hin zur Kamm...

The Duo A4 for violin and clarinet (written for the Vienna Philharmonic’s principal clarinettist, Ernst Ottensamer) is the shortest of the Gemini series to date with a duration of just over one minute...

A reversal of usual clichés reveals an innovative facet of the treatment of the piccolo in the Gemini Duo written for the exceptional philharmonic piccolo player Günter Federsel. The piccolo is depriv...

In his Duo A6 for violin and trombone the composer seems to revert once more to the march-like character of Duo A4. This character, however, is now intensified into something grotesque and absurd thro...

The Duo A7 for violin and tenor saxophone thrives on the tension between two-part and tripartite divisions of different units. Relations and time units are used purposefully together with tension and...

In the Duo A8 for violin and accordion, written for the accordionist (and professor at Linz Bruckner University) Alfred Melichar, the flowing interweaving of the violin's timbre with that of the accor...

The Duo A10 for violin and trumpet attempts to develop an idea in two different ways. The form is determined by a phrase consisting of two halves—one of formulation, and one of development—which occur...

xWritten for Vienna Philharmonic tuba player Ronald Pisarkiewicz, Duo A11 for violin and tuba is a parody of baroque-classical stereotypes of musical form. The bass tuba is used as a quasi-pedal point...

In the Duo A12 for violin and oboe a musical process is initiated which, beginning with the unison fusion of the two timbres, leads into a sonic and articulatory spectrum of oboe staccatos and violin...

The Duo A13 for violin and harp exhibits a rather differentiated rhythmic construction. The middle section, whose harp arpeggios have a classical effect, is preceded and followed by sections where the...

Several tempo relations structure the rhythmically determined and strophically arranged Duo A14 for violin and membranophones (percussion: bongos, snare drums, tomtoms, bass drum). Variable meters off...

Duo A15, the last of the first volume of Gemini Duos, for violin and bassoon is, like the Duo A3 for violin and viola, conceived very melodically, whereby the roles appear to be traditionally assigned...

Fifth Mold for mezzo soprano (vocalise), B-flat clarinet, 2 violins, viola, cello, accordion, and piano Thomas Alva Edison: inventor and symbol of the idea of progress in the history of mankind. The M...

Fifth Mold for mezzo soprano (vocalise), B-flat clarinet, 2 violins, viola, cello, accordion, and piano Thomas Alva Edison: inventor and symbol of the idea of progress in the history of mankind. The M...

The Duo A1 for violin and flute was written for Wolfgang Schulz, the Vienna Philharmonic's principal flutist. A new kind of rhythm resulting entirely from the relations of tempi as well as the selecti...