Parituras para conjuntos

Albrechtsberger's preference for contrapuntal work is also evident in this duo. The piece lives entirely from the imitative development of the motives.

Source: André, 1855 and Litolff, 1891 (A. Schulz and J. Klingenberg).

Instrumentation: Alexander Uber.

The splendid, not too heavy duets offer a fine example of the technical sophistication that Pichl demanded of the instruments, which in his time served the 'bass line' and were not very demanding.

These highly dramatic jewels of quartet art offer everything that makes a musician's heart beat faster in terms of ingratiating melodicism, the finest counterpoint and magnificent sound effects.

These highly dramatic jewels of quartet art offer everything that makes a musician's heart beat faster in terms of ingratiating melodicism, the finest counterpoint and magnificent sound effects.

Rolla's only concertante 3 Duos for Violin and Cello appeared in rapid succession in Italy, France and Germany, which speaks for their high quality. Concert literature!

Welcome to the world of creating with groups. This score book Open Scores contains five creation assignments with open scores for many ensembles. Open Scores is a supplement to the basic book Time to...

Quartet No. 3, H183

Sonata for Violin and Cello and composed by Luigi Boccherini was transcribed and annotated by Paul Bazelaire, a professor at the National Conservatoire. Ideal for a recital or for a contest, thissonat...