Partituras para instrumentos de viento

For Piccolo and Piano

For Piccolo, Piano. Solo part with piano reduction. Composed 1976. 4 pages. Duration 3:15.

Paula Robison's collection of Sparklers offers an elegant dessert tray of fin de sicle treats from the Golden Age of Piccolo showpieces and two transcriptions from Kreisler's best-loved violin gems. R...

Mendelssohn's classic art song, 'On Wings of Song, ' set to the poetry to Heinrich Heine, provided the inspiration for the music. The sublime melody has become part of the repertory of musicians of ev...

Work for Piccolo Duet.

Für Flöte oder Piccoloflöte und Klavier

Each booklet in the 'Flute Fun' series contains 15 pieces that differ from each other not only in difficulty, but also in melody, harmony and rhythm.

Louis Drouet (1792-1873), much admired virtuoso flautist, composer, musical director and opera director, was 'a flautist of truly European standing and sphere of influence'. His method still forms par...

für 2 Flöten (oder Violinen) und B.c., herausgegeben von Leonore und Günter von Zadow. Der hier in einer Neuausgabe veröffentlichte Kanon hat die Form einer dreisätzigen italienischen Triosonate. Dabe...

Easy-to-intermediate duets by Koehler, Soussman, Hugues, and Stamitz.

für 1-3 Querflöten mit optionaler Rhythmusgruppe

This arrangement of Cantique de Noel (O Holy Night) was transcribed by G. E. Holmes for flute with piano accompaniment. An optional duet part is included.

This arrangement of Cantique de Noel (O Holy Night) was transcribed by G. E. Holmes for flute with piano accompaniment. An optional duet part is included.

Two by Two is an album of 12 lively, original duets for two flute players of varied ability. Perfect as concert pieces for two players of different standards, or as an exercise for pupil and teacher....

Music Medals Flute Ensemble Pieces are five volumes of enjoyable and accessible repertoire. Each volume contains original pieces and imaginative arrangements for duets, trios and quartets. Includes fu...

The two trio sonatas presented here in print for the first time are to be welcomed as a real find within the abundance of still unpublished chamber music works of the 18th century.