Partituras para formaciones orquestales

Volviendo a la forma sinfónica de 4 movimientos, Alexander Glasunow (1865-1936) completó su SINFONÍA nº 5 en si bemol mayor, Op. 55, en 1895. Estrenó la obra en el Salón de la Nobleza de San Petersbur...

Terminada originalmente en 1888, la versión original de esta gran obra difería significativamente de la versión revisada y definitiva que se ofrece aquí. Inicialmente en dos partes con cinco movimient...

Terminada originalmente en 1888, la versión original de esta gran obra difería significativamente de la versión revisada y definitiva que se ofrece aquí. Inicialmente en dos partes con cinco movimient...

Terminada originalmente en 1888, la versión original de esta gran obra difería significativamente de la versión revisada y definitiva que se ofrece aquí. Inicialmente en dos partes con cinco movimient...

Gustav Mahler (1860-1911) compuso su SINFONÍA nº 5 en do sostenido menor en 1901 y 1902, principalmente durante su estancia en su casa de vacaciones en Maiernigg. El compositor dirigió la primera inte...

While less known today, German composer Moritz Moszkowski (1854-1925) was a popular and respected composer during his life. Known best for his piano compositions, his most popular work is his Spanish...

While less known today, German composer Moritz Moszkowski (1854-1925) was a popular and respected composer during his life. Known best for his piano compositions, his most popular work is his Spanish...

While less known today, German composer Moritz Moszkowski (1854-1925) was a popular and respected composer during his life. Known best for his piano compositions, his most popular work is his Spanish...

Sergei Prokofiev (1891-1953) dedicó su CONCERTO para piano nº 1 en re bemol, Op. 10, a su maestro Nikolai Tcherepnin. Lo compuso en los años 1911 y 1912, y lo estrenó en Moscú el 18 de mayo de 1912 ba...

Sergei Prokofiev (1891-1953) dedicó su CONCERTO para piano nº 1 en re bemol, Op. 10, a su maestro Nikolai Tcherepnin. Lo compuso en los años 1911 y 1912, y lo estrenó en Moscú el 18 de mayo de 1912 ba...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Richard Wagner's (1813-1883) collection of five songs titled Fünf Gedichte für eine Frauenstimme (Five Poems for a Female Voice), WWV 91, is more commonly known as Wesendonck Lieder after the source o...

Der Freischuetz (The Marksman), Op. 77, J.277 has come to be considered the first German Romantic opera. Carl Maria von Weber (1786-1826) composed Der Freischuetz between 1817 and 1821, based on Johan...

Der Freischuetz (The Marksman), Op. 77, J.277 has come to be considered the first German Romantic opera. Carl Maria von Weber (1786-1826) composed Der Freischuetz between 1817 and 1821, based on Johan...

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mul...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...

On the score of his cantata JAUCHZET GOTT IN ALLEN LANDEN (EXULT IN GOD IN EVERY LAND), BWV 51, J.S. Bach (1685-1750) wrote "For the 15th Sunday after Trinity and at any time", indicating that he had...