Partituras para formaciones orquestales
Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear t...
Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear t...
- Solistas, coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear t...
Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear t...
- Coro mixto (SATB), solistas y orquesta
- Partitura de órgano
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The sublime Ave Verum Corpus, K. 618 was composed by Wolfgang Amadeus Mozart (1756-1791) in June of 1791 for his friend Anton Stoll, and it premiered on June 23 of that year at St. Stephen's church in...
The sublime Ave Verum Corpus, K. 618 was composed by Wolfgang Amadeus Mozart (1756-1791) in June of 1791 for his friend Anton Stoll, and it premiered on June 23 of that year at St. Stephen's church in...
- Coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The sublime Ave Verum Corpus, K. 618 was composed by Wolfgang Amadeus Mozart (1756-1791) in June of 1791 for his friend Anton Stoll, and it premiered on June 23 of that year at St. Stephen's church in...
The sublime Ave Verum Corpus, K. 618 was composed by Wolfgang Amadeus Mozart (1756-1791) in June of 1791 for his friend Anton Stoll, and it premiered on June 23 of that year at St. Stephen's church in...
- Coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...
The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...
- Solistas, coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...
The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...
- Solistas, coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...
Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...
- Solistas, coro mixto (SATB) y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
- Solistas, coro mixto (SATB) y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Wolfgang Amadeus Mozart (1756-1791) completed his Mass No. 15 in C, K. 317 on March 23, 1779 after a period of seeking for employment in places such as Paris and Mannheim. Failing that, Mozart's fathe...
Wolfgang Amadeus Mozart (1756-1791) completed his Mass No. 15 in C, K. 317 on March 23, 1779 after a period of seeking for employment in places such as Paris and Mannheim. Failing that, Mozart's fathe...
- Solistas, coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Última obra compuesta por Mozart para la catedral de Salzburgo, el título original de esta composición coral sacra, VESPERAE SOLENNES DE CONFESSORE (Vísperas solemnes para un confesor) no incluía "de...
Última obra compuesta por Mozart para la catedral de Salzburgo, el título original de esta composición coral sacra, VESPERAE SOLENNES DE CONFESSORE (Vísperas solemnes para un confesor) no incluía "de...
- Soli (SATB), Coro mixto y Orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
This arrangement for orchestra for Three Songs (Drei Lieder) by Johannes Brahms (1833-1897) has been completed by Willy Weide (1880-1910). Songs included: 1. Liebestreu (True Love), Op. 3, No. 1; 2. W...
This arrangement for orchestra for Three Songs (Drei Lieder) by Johannes Brahms (1833-1897) has been completed by Willy Weide (1880-1910). Songs included: 1. Liebestreu (True Love), Op. 3, No. 1; 2. W...
- Orquesta
- Partitura general
- Willy Weide
- Edwin F. Kalmus
-
disponible en 3-4 semanas
This arrangement for orchestra for Three Songs (Drei Lieder) by Johannes Brahms (1833-1897) has been completed by Willy Weide (1880-1910). Songs included: 1. Liebestreu (True Love), Op. 3, No. 1; 2. W...
This arrangement for orchestra for Three Songs (Drei Lieder) by Johannes Brahms (1833-1897) has been completed by Willy Weide (1880-1910). Songs included: 1. Liebestreu (True Love), Op. 3, No. 1; 2. W...
- Orquesta
- Partitura general y partichelas
- Willy Weide
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...
- Solistas, coro y orquesta
- Partitura general
- Alois Schmitt
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...
Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...
- Solistas, coro y orquesta
- Partitura general y partichelas
- Alois Schmitt
- Edwin F. Kalmus
-
disponible en 3-4 semanas
This wonderful, short choral masterpiece has a confusing heritage. Spuriously attributed in 1910 to Giovanni Battista Pergolesi (1710-1736), the six-movement MAGNIFICAT was actually composed by...
This wonderful, short choral masterpiece has a confusing heritage. Spuriously attributed in 1910 to Giovanni Battista Pergolesi (1710-1736), the six-movement MAGNIFICAT was actually composed by...
- Solistas, coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Esta maravillosa y breve obra maestra coral tiene una herencia confusa. Atribuida falsamente en 1910 a Giovanni Battista Pergolesi (1710-1736), el MAGNIFICAT, de seis movimientos, fue compuesto en rea...
Esta maravillosa y breve obra maestra coral tiene una herencia confusa. Atribuida falsamente en 1910 a Giovanni Battista Pergolesi (1710-1736), el MAGNIFICAT, de seis movimientos, fue compuesto en rea...
- Coro mixto, solistas, órgano y orquesta
- Partitura general
- Clayton Westermann
- Edwin F. Kalmus
-
disponible en 3-4 semanas
This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled "Mass." Comp...
This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled "Mass." Comp...
- Coro mixto (SATB), solistas y orquesta
- Partitura de órgano
- Edwin F. Kalmus
-
disponible en 3-4 semanas
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
- Voz y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...
- Voz y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Gaetano Donizetti (1797-1848) composed his popular two-act opera buffa L'elisir d'amore hastily over six weeks in 1832 for a premiere that took place on May 12 of that year at the Teatro della Canobbi...
Gaetano Donizetti (1797-1848) composed his popular two-act opera buffa L'elisir d'amore hastily over six weeks in 1832 for a premiere that took place on May 12 of that year at the Teatro della Canobbi...
- Voz y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Gaetano Donizetti (1797-1848) composed his popular two-act opera buffa L'elisir d'amore hastily over six weeks in 1832 for a premiere that took place on May 12 of that year at the Teatro della Canobbi...
Gaetano Donizetti (1797-1848) composed his popular two-act opera buffa L'elisir d'amore hastily over six weeks in 1832 for a premiere that took place on May 12 of that year at the Teatro della Canobbi...
- Voz y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Don Pasquale, regarded as one of the crowning gems of comic opera, had its first performance on January 3, 1843 by the Theatre-Italien at the Salle Ventadour in Paris. Gaetano Donizetti (1797-1848) co...
Don Pasquale, regarded as one of the crowning gems of comic opera, had its first performance on January 3, 1843 by the Theatre-Italien at the Salle Ventadour in Paris. Gaetano Donizetti (1797-1848) co...
- Voz (aguda) y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Don Pasquale, regarded as one of the crowning gems of comic opera, had its first performance on January 3, 1843 by the Theatre-Italien at the Salle Ventadour in Paris. Gaetano Donizetti (1797-1848) co...
Don Pasquale, regarded as one of the crowning gems of comic opera, had its first performance on January 3, 1843 by the Theatre-Italien at the Salle Ventadour in Paris. Gaetano Donizetti (1797-1848) co...
- Voz (aguda) y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Umberto Giordano (1867-1948) wrote the four-act verismo opera Andrea Chénier in 1896, and it remains his best-known work. It premiered on March 28, 1896, at La Scala in Milan. Loosely based on the lif...
Umberto Giordano (1867-1948) wrote the four-act verismo opera Andrea Chénier in 1896, and it remains his best-known work. It premiered on March 28, 1896, at La Scala in Milan. Loosely based on the lif...
- Voz (aguda) y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Umberto Giordano (1867-1948) wrote the four-act verismo opera Andrea Chénier in 1896, and it remains his best-known work. It premiered on March 28, 1896, at La Scala in Milan. Loosely based on the lif...
Umberto Giordano (1867-1948) wrote the four-act verismo opera Andrea Chénier in 1896, and it remains his best-known work. It premiered on March 28, 1896, at La Scala in Milan. Loosely based on the lif...
- Voz (aguda) y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Partituras para formaciones orquestales
Totalmente orquestal: con más de 50.000 partituras para orquesta de cuerda, de cámara, de salón y sinfónica, ¡encontrará justo lo que necesita para su próximo concierto! Aquí no sólo le ofrecemos obras clásicas originales como parte o ediciones de partituras, sino también arreglos de títulos conocidos de jazz, pop, rock, musicales y películas, así como ediciones de partituras con instrumentos solistas, voz o coro.