Partituras para formaciones orquestales
Edward Elgar (1857-1934) escribió la breve pieza orquestal titulada Sevillaña (Scène Espagnole), Op. 7 en 1884, cuando el compositor tenía veintiséis años. 1884 fue una época de dificultades personale...
Edward Elgar (1857-1934) escribió la breve pieza orquestal titulada Sevillaña (Scène Espagnole), Op. 7 en 1884, cuando el compositor tenía veintiséis años. 1884 fue una época de dificultades personale...
- Orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Edward Elgar (1857-1934) escribió la breve pieza orquestal titulada Sevillaña (Scène Espagnole), Op. 7 en 1884, cuando el compositor tenía veintiséis años. 1884 fue una época de dificultades personale...
Edward Elgar (1857-1934) escribió la breve pieza orquestal titulada Sevillaña (Scène Espagnole), Op. 7 en 1884, cuando el compositor tenía veintiséis años. 1884 fue una época de dificultades personale...
- Orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
WERTHER, ópera en cuatro actos de Jules Massenet (1842-1912), se inspira en una novela de Goethe, Las penas del joven Werther, que a su vez basa su historia en el suicidio real de un joven obsesionado...
WERTHER, ópera en cuatro actos de Jules Massenet (1842-1912), se inspira en una novela de Goethe, Las penas del joven Werther, que a su vez basa su historia en el suicidio real de un joven obsesionado...
- 9 solistas, coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
- Orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
AIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenge...
- Orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Edvard Grieg (1843-1907) wrote Lyric Pieces as a collection of 66 short works for piano. Published in ten volumes, Book VIII, Op. 65, contains six pieces, which includes "Bryllupsdag på Troldhaugen" (...
Edvard Grieg (1843-1907) wrote Lyric Pieces as a collection of 66 short works for piano. Published in ten volumes, Book VIII, Op. 65, contains six pieces, which includes "Bryllupsdag på Troldhaugen" (...
- Orquesta
- Partitura general y partichelas
- Gottfried Huppertz
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Edvard Grieg (1843-1907) wrote Lyric Pieces as a collection of 66 short works for piano. Published in ten volumes, Book VIII, Op. 65, contains six pieces, which includes "Bryllupsdag på Troldhaugen" (...
Edvard Grieg (1843-1907) wrote Lyric Pieces as a collection of 66 short works for piano. Published in ten volumes, Book VIII, Op. 65, contains six pieces, which includes "Bryllupsdag på Troldhaugen" (...
- Orquesta
- Partitura general
- Gottfried Huppertz
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Italian composer Pietro Mascagni (1863-1945) wrote L'amico Fritz in 1891 only one year after his masterpiece Cavalleria rusticana began the Versimo movement. A charming light opera in three acts, L'am...
Italian composer Pietro Mascagni (1863-1945) wrote L'amico Fritz in 1891 only one year after his masterpiece Cavalleria rusticana began the Versimo movement. A charming light opera in three acts, L'am...
- Solistas, coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
NABUCCO, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi's (1813-1901) first major operatic success, and was written reluctantly, followi...
NABUCCO, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi's (1813-1901) first major operatic success, and was written reluctantly, followi...
- Coro mixto (SATB), solistas y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
NABUCCO, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi's (1813-1901) first major operatic success, and was written reluctantly, followi...
NABUCCO, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi's (1813-1901) first major operatic success, and was written reluctantly, followi...
- Coro mixto (SATB), solistas y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
- Voz (aguda), coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
- Voz (aguda), coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as "a trifle," it is among his most popular works for chorus. On the autograph score, he in...
- Voz (aguda), coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Composed by Vincenzo Bellini (1801-1835) in 1830, the two-act opera I Capuletti e i Montecchi (The Capulets and the Mantagues) stands as one of only two successful opera adaptations of Shakespeare's R...
Composed by Vincenzo Bellini (1801-1835) in 1830, the two-act opera I Capuletti e i Montecchi (The Capulets and the Mantagues) stands as one of only two successful opera adaptations of Shakespeare's R...
- Voz (aguda), coro y orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L'italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vi...
Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L'italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vi...
- Voz (media), coro y orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L'italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vi...
Premiering on May 22, 1813, at the Teatro San Benedetto in Venice, L'italiana in Algeri (The Italian Girl in Algiers) by Gioachino Rossini (1792-1868) was a success, with subsequent performances in Vi...
- Orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
La Sinfonía n.º 1 en la bemol, Op. 55, de Edward Elgar (1857-1934) se terminó en 1908, aunque fue una obra que se gestó durante una década. Originalmente propuesta ya en 1898 como una obra programátic...
La Sinfonía n.º 1 en la bemol, Op. 55, de Edward Elgar (1857-1934) se terminó en 1908, aunque fue una obra que se gestó durante una década. Originalmente propuesta ya en 1898 como una obra programátic...
- Orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
La Sinfonía n.º 1 en la bemol, Op. 55, de Edward Elgar (1857-1934) se terminó en 1908, aunque fue una obra que se gestó durante una década. Originalmente propuesta ya en 1898 como una obra programátic...
La Sinfonía n.º 1 en la bemol, Op. 55, de Edward Elgar (1857-1934) se terminó en 1908, aunque fue una obra que se gestó durante una década. Originalmente propuesta ya en 1898 como una obra programátic...
- Orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Originally written for piano four hands in 1879, Hungarian Dances (WoO 1), a set of 21 lively dance tunes mostly based on Hungarian themes, are among Johannes Brahms' (1833-1897) most popular works to...
Originally written for piano four hands in 1879, Hungarian Dances (WoO 1), a set of 21 lively dance tunes mostly based on Hungarian themes, are among Johannes Brahms' (1833-1897) most popular works to...
- Orquesta
- Partitura general
- Sam Dennison
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Originally written for piano four hands in 1879, Hungarian Dances (WoO 1), a set of 21 lively dance tunes mostly based on Hungarian themes, are among Johannes Brahms' (1833-1897) most popular works to...
Originally written for piano four hands in 1879, Hungarian Dances (WoO 1), a set of 21 lively dance tunes mostly based on Hungarian themes, are among Johannes Brahms' (1833-1897) most popular works to...
- Orquesta
- Partitura general y partichelas
- Sam Dennison
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The first performance of I Vespri Siciliani (The Sicilian Vespers), a five-act opera by Guiseppe Verdi (1813-1901), took place at the Paris Opera on June 13, 1855, under the direction of Narcisse Gira...
The first performance of I Vespri Siciliani (The Sicilian Vespers), a five-act opera by Guiseppe Verdi (1813-1901), took place at the Paris Opera on June 13, 1855, under the direction of Narcisse Gira...
- Voz (aguda), coro y orquesta
- Partitura general
- Eugène Scribe
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The first performance of I Vespri Siciliani (The Sicilian Vespers), a five-act opera by Guiseppe Verdi (1813-1901), took place at the Paris Opera on June 13, 1855, under the direction of Narcisse Gira...
The first performance of I Vespri Siciliani (The Sicilian Vespers), a five-act opera by Guiseppe Verdi (1813-1901), took place at the Paris Opera on June 13, 1855, under the direction of Narcisse Gira...
- Voz (aguda), coro y orquesta
- Partitura general y partichelas
- Eugène Scribe
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Manon Lescaut, the third opera and first notable success of Giacomo Puccini (1858-1924), took shape between 1889 and 1892. Five different writers worked on its libretto. The Teatro Regio in Turin saw...
Manon Lescaut, the third opera and first notable success of Giacomo Puccini (1858-1924), took shape between 1889 and 1892. Five different writers worked on its libretto. The Teatro Regio in Turin saw...
- Orquesta
- Partitura general
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Manon Lescaut, the third opera and first notable success of Giacomo Puccini (1858-1924), took shape between 1889 and 1892. Five different writers worked on its libretto. The Teatro Regio in Turin saw...
Manon Lescaut, the third opera and first notable success of Giacomo Puccini (1858-1924), took shape between 1889 and 1892. Five different writers worked on its libretto. The Teatro Regio in Turin saw...
- Orquesta
- Partitura general y partichelas
- Edwin F. Kalmus
-
disponible en 3-4 semanas
The ROMANCE in F minor, Op. 11 (B. 39) was composed by Antonín Dvorák (1841-1904) in 1877, reworked from the Andantino movement of his 1873 STRING QUARTET NO. 5 in F minor, a work written before he wa...
The ROMANCE in F minor, Op. 11 (B. 39) was composed by Antonín Dvorák (1841-1904) in 1877, reworked from the Andantino movement of his 1873 STRING QUARTET NO. 5 in F minor, a work written before he wa...
- Violín y orquesta
- Partitura general y partichelas
- Jarmil Burghauser
- Edwin F. Kalmus
-
disponible en 3-4 semanas
Partituras para formaciones orquestales
Totalmente orquestal: con más de 50.000 partituras para orquesta de cuerda, de cámara, de salón y sinfónica, ¡encontrará justo lo que necesita para su próximo concierto! Aquí no sólo le ofrecemos obras clásicas originales como parte o ediciones de partituras, sino también arreglos de títulos conocidos de jazz, pop, rock, musicales y películas, así como ediciones de partituras con instrumentos solistas, voz o coro.