Partituras para formaciones orquestales

The work Fin de nuit for piano and orchestra, which Boesmans began to work on in June 2017 during the rehearsals for Pinocchio in Aix-en-Provence, was created in a similar way, only to be completed in...

Triades is a work in concertante form for solo double bass, an ensemble of twenty-one musicians and live electronics. This piece belongs to a larger cycle for double bass begun in 2013 with Nicolas Cr...

La Rhapsodie mauresque de Claude Debussy es una de esas obras que conocemos más por la anécdota que por la propia música. El primer biógrafo del compositor, Léon Vallas, describe la génesis de la piez...

Este es el hermoso movimiento lento de Cavalleria Rusticana de Mascagni. Esta versión abreviada añade dos orquestaciones alternativas a la original y es adecuada para las mejores orquestas de todo el...

EUGENE ONEGIN, based on a verse-novel by Alexander Pushkin, is Peter Ilyitch Tchaikovsky's (1840-1893) best-known opera. The story depicts the life of the titular Onegin, a Russian dandy who does not...

EUGENE ONEGIN, basada en una novela en verso de Alexander Pushkin, es la ópera más conocida de Peter Ilyitch Tchaikovsky (1840-1893). La historia describe la vida del Onegin titular, un dandi ruso que...

EUGENE ONEGIN, based on a verse-novel by Alexander Pushkin, is Peter Ilyitch Tchaikovsky's (1840-1893) best-known opera. The story depicts the life of the titular Onegin, a Russian dandy who does not...

El ballet El Amor Brujo fue compuesto por Manuel de Falla (1876-1946) en 1915 y revisado hasta 1920, dando lugar a varias versiones. En el ballet, con libreto de María de la O Lejárraga García, una jo...

El ballet El Amor Brujo fue compuesto por Manuel de Falla (1876-1946) en 1915 y revisado hasta 1920, dando lugar a varias versiones. En el ballet, con libreto de María de la O Lejárraga García, una jo...

Written in 1909 and one of two suites by Gustav Holst (1874-1934) under Op. 28 written originally for military band, the First Suite in E-flat is considered a cornerstone of the band repertoire. This...

Written in 1911 and one of two suites under Op. 28 written originally for military band, the Second Suite in F is longer and considered more difficult than its sister suite. This version for orchestra...

El Vals de Musetta es una canción bastante atrevida, cantada por Musetta en la ópera La Bohème de Puccini para atraer la atención de un antiguo amor. Esta nueva adaptación de concierto no utiliza cant...

El Vals de Musetta es una canción bastante atrevida, cantada por Musetta en la ópera La Bohème de Puccini para atraer la atención de un antiguo amor. Esta nueva adaptación de concierto no utiliza cant...

Má vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bedrich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as...

Má vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bedrich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as...

George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...

George Philipp Telemann (1681-1767) loved to read, a fact well-represented by his Don Quixote Suite: Ouverture in G No. 10, TWV 55:G10 (Burlesque de Quichotte) for strings. Introducing his subject wit...

Hector Berlioz (1803-1869) wrote his overture King Lear (H 53), just after the abrupt dissolution of his engagement to Camille Moke. He had just arrived in Italy as the winner of the 1830 Prix de Rome...

Hector Berlioz' (1803-1869) opéra comique in two acts, Béatrice et Bénédict, was completed in 1862. The French libretto was completed by Berlioz, after a subplot from Shakespeare's Much Ado About Noth...

Hector Berlioz' (1803-1869) opéra comique in two acts, Béatrice et Bénédict, was completed in 1862. The French libretto was completed by Berlioz, after a subplot from Shakespeare's Much Ado About Noth...

Aunque Hector Berlioz (1803-1869) suele asociarse estrechamente con la música programática, su OVERTURE LE CORSAIRE, Op. 21/H. 101 no tiene ninguna narrativa detrás de la música, a pesar de que el tít...