Partituras para orquesta sinfónica

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

In the case of the 1st Symphony, Clive Brown provides the optimal balance of source criticism and practical relevance.

As with the other Beethoven reissues by Clive Brown and Peter Hauschild, the editor does not mechanically align the often very different indications in the sources for the 4th Symphony.

The conducting score contains only an abridged version of the detailed Critical Report that was published separately in book form (Brown: The Reassessment of the Sources of Beethoven's 5th Symphony, B...

Ludwig van Beethoven conceived his 7th Symphony in the summer of 1811 in the Bohemian spa town of Teplitz. The fair copy of the score autograph was made in 1812. The work was first heard on December 8...

The difficult balancing act between the requirements of practical usefulness and philological meticulousness has been accomplished at a level that sets the bar for comparable efforts frighteningly hig...

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

I want to do an edition that is not a Koopman interpretation, but brings only what is really Handel.' (Ton Koopman)

With the new Breitkopf Urtext orchestral material, the 'Prague' symphony will sound somewhat different.

The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...

Schumann, The Symphonies 5 study scores in slipcase

Schumann, The Symphonies 5 study scores in slipcase

Märker's Urtext edition is based on the first printing of the score in 1835.

The revision of the frequently sung Mass in B-flat major brings to light a large number of new readings compared to the older Breitkopf edition.

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

A key work of the romantic concert literature Edition for violin and piano marked by Robert Schumann

Until now, Schubert's most popular 'Youth Mass' often sounded with strings only. Then the set of parts written by Franz Schubert himself was recovered in Klosterneuburg.