Max Reger: Partituras medio

Reger's 'Five Humoresques' follow in the footsteps of the nineteenth-century genre inaugurated by Robert Schumann's 'Humoresque', op. 20. Occasionally Reger gives vent to high-spirited good humor, as...

In his numerous collections of small character pieces, the imaginative Max Reger gradually developed a style of his own, in the shadow of the Romantic epigones. His music is characterised by modulatin...

The edition is part of the ABRSM syllabus (grade 8).

Max Hehemann stated once, 'Reger just simply happens to be complicated'. This sums up the usual and for the main part accurate assessment that is prevalent in the music world of the works of one of th...

From early childhood, Max Reger grew into the tradition of artisanal, practical composition in which Johann Sebastian Bach became his role model. Traditional forms such as canon, fugue, passacaglia an...

«… una de las cosas más bellas que he escrito jamás», así se expresó Max Reger en 1915 sobre su última obra coral terminada, el «Requiem». Una particularidad: no se basa en el texto litúrgico, sino en...

«… una de las cosas más bellas que he escrito jamás», así se expresó Max Reger en 1915 sobre su última obra coral terminada, el «Requiem». Una particularidad: no se basa en el texto litúrgico, sino en...

> All extant sources consulted > Edition for the first centenary of Reger's death > Cross-section of Reger's music for a cappella choir > Foreword (Ger/Eng) and Critical Commentary (Eng) 2016 marks th...

This song by Max Reger originally appeared as a solo song for voice and piano. In this arrangement, the melody appears in all vocal lines creating interest for all of the singers. The lilting melody c...