Métodos de Schott para todos los instrumentos

Sebastian Lee was born in Hamburg in 1805 and trained by the Romberg pupil Johann Nikolaus Prell. A soloist and teacher, he published his Cello Method Op. 30 in 1845 which is still available at Schott...

Analysis of fundamental principles, technical exercises and examples from the cello repertoire all demonstrate 'The Art of Playing the Cello', written during the lifetime of the celebrated cellist Mau...

A collection of the most common practical exercises for mastering problems of wind technique

Reprint der alten Originalausgabe.

The Belgian organist and composer Jacques-Nicolas Lemmens (1823-1881) ranks among the most important organ teachers of the 19th century. A student of Adolf Friedrich Hasse in Breslau, he was familiar...

Diese Anleitung, die diatonische Modulation behandelt, ist in erster Linie für die Stehgreif-Modulation gedacht, wie sie besonders im liturgischen Orgelspiel oft benötigt wird. Es werden dabei nur ger...

Top Music an der Orgel ist besonders geeignet für den zeitgemässen Instrumentalunterricht, bietet aber auch gleizeitig alles für das Selbststudium. 5 Bände mit insgesamt 40 Lektionen, sinnvoll aufeina...

This collection presents over 200 carefully graded sight-reading pieces and exercises in a range of musical styles, for solo Trombone. Taking an approach based on self-learning, the 11 sections of the...

This volume is the result of 20 years of teaching experience and is aimed at both beginners and advanced trombonists. Klaus Bruschke provides a wealth of material for daily practising as well as vario...

This definitive book is designed for the intermediate flute player looking for an introduction to the world of jazz. Renowned jazz musician Ollie Weston introduces key concepts step by step, explainin...

In 'Check-up' Peter-Lukas Graf has compiled a training program that enables the flautist to constantly check and improve his technique with targeted, daily changing basic exercises. All exercises are...

Musical interpretation is first and foremost a question of shaping a melody or the melodic line of a setting. Music, like any language, follows its own set of rules and a sufficient knowledge and fami...