Música clásica romántica para orquesta

The second movement from his sixth and last symphony finds Tchaikovsky at his melodic best, arranged by Richard Meyer. This elegant 'waltz' in 5/4 meter has long been a favorite of audiences and is an...

The second movement from his sixth and last symphony finds Tchaikovsky at his melodic best, arranged by Richard Meyer. This elegant 'waltz' in 5/4 meter has long been a favorite of audiences and is an...

The second movement from his sixth and last symphony finds Tchaikovsky at his melodic best, arranged by Richard Meyer. This elegant 'waltz' in 5/4 meter has long been a favorite of audiences and is an...

A stunning arrangement of the incredible masterwork Peer Gynt Suite No.1, Op. 46! It is perfect for string orchestra alone, or with added instruments up to a full orchestra. This setting, by Chris M....

A stunning arrangement of the incredible masterwork Peer Gynt Suite No.1, Op. 46! It is perfect for string orchestra alone, or with added instruments up to a full orchestra. This setting, by Chris M....

A stunning arrangement of the incredible masterwork Peer Gynt Suite No.1, Op. 46! It is perfect for string orchestra alone, or with added instruments up to a full orchestra. This setting, by Chris M....

Faithful to the original, Richard Meyer's arrangement of Dance No. 7 retains Dvorák's bold and brilliant orchestration, with exciting and meaningful parts for every instrument. Your students and audie...

Faithful to the original, Richard Meyer's arrangement of Dance No. 7 retains Dvorák's bold and brilliant orchestration, with exciting and meaningful parts for every instrument. Your students and audie...

Faithful to the original, Richard Meyer's arrangement of Dance No. 7 retains Dvorák's bold and brilliant orchestration, with exciting and meaningful parts for every instrument. Your students and audie...

¡Esta es una de las melodías más reconocibles y encantadoras que jamás hayan sonado en una sala de conciertos! La cuidada orquestación de Richard Meyer permite que los estudiantes puedan interpretarla...

Two Puccini Arias, arreglada por Chris M. Bernotas, incluye "O Mio Babbino Caro" y "Nessun Dorma", dos de las arias más queridas del compositor. Este impresionante arreglo para orquesta completa es ig...

La esencia y la resonancia de esta obertura intemporal se conservan perfectamente en el arreglo de Leidig. El rango técnico es perfecto para orquestas de cuerda de secundaria u orquestas completas. La...

Both works included in this volume – “Septuor” op. 65 and “Le Carnaval des animaux” – lead a double life between chamber music and ensemble/orchestral music. Saint-Saëns wrote them originally as chamb...

With his four works 'Le Rouet d'Omphale', 'Phaéton', 'Danse macabre' and 'La Jeunesse d'Hercule', composed between 1872 and 1877, Camille Saint-Saëns decidedly put himself in the tradition of Hector B...

Fünf echte Klavierkonzerte gibt es von Camille Saint-Saëns, gemeinhin sind vor allem das Zweite und das Fünfte heute im Konzertleben präsent. Die Kritische Neuausgabe der Camille Saint-Saens - Oeuvres...

> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...

> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Después de que Antonín Dvorák pasara una exitosa temporada en Viena en el verano de 1879, durante la cual profundizó su conocimiento de Johannes Brahms y del director Hans Richter y escuchó a la Filar...

Después de que Antonín Dvorák pasara una exitosa temporada en Viena en el verano de 1879, durante la cual profundizó su conocimiento de Johannes Brahms y del director Hans Richter y escuchó a la Filar...

Después de que Antonín Dvorák pasara una exitosa temporada en Viena en el verano de 1879, durante la cual profundizó su conocimiento de Johannes Brahms y del director Hans Richter y escuchó a la Filar...