Nikolai Kapustin: Partituras dificil

This collection from 1998 contains 7 small fugues and canons for the left hand.

The Allegro movement "Nothing to Lose" was composed by Kapustin in 2004 and is now published for the first time as a sheet music edition.

Kapustin dedicated the piece "Countermove" to the Canadian pianist Marc-André Hamelin, who had released a complete CD of Kapustin's works in 2004. Kapustin himself later recorded "Countermove" for the...

Kapustin developed this scherzo from a short fun idea. The notes of the piano piece, which was already composed in 1999, now appear in print for the first time.

Kapustin compuso el rondó "Vanidad de vanidades" op. 121 en 2004 y luego lo grabó para su CD "Kapustin Returns!", publicado en Japón en 2008.

Kapustin compuso los "Two Etude-Like Trinkets" op. 122 en 2004 y más tarde las grabó para su CD "Kapustin Returns!", que salió a la venta en Japón en 2008.

El Tema y Variaciones op. 80 de Kapustin fue compuesto en 1996.

Nikolai Kapustin compuso el Impromptu op. 83 en 1997 y más tarde lo grabó para el CD "Last Recording", que salió a la venta en Japón en 2004.

Tres para dos. Tríptico para 2 pianos op. 145 fue escrito por Kapustin en 2012 para el dúo de pianos japonés PiaNA, formado por Natsuki Nishimoto y Asuka Matsumoto.

Nikolai Kapustin, born in 1937, is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. The Sonata Op. 125 for flute and piano was written i...

Nikolai Kapustins Divertissement op. 126 pour Violine, Violoncello et Clavier date de 2005. Cette œuvre très variée a été publiée pour la première fois dans une version notée.

The Divertissement op. 91 for 2 flutes, violoncello and piano was composed by Nikolai Kapustin in 1998. He recorded it himself with Alexander Korneev (flute), Marina Rubinstein (flute) and Alexander Z...

Nikolai Kapustin, born in 1937, is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. Sonata Op. 69 for viola and piano was written in 199...

Virtuoser Jazz in klassischer Form: Nikolai Kapustin (geb. 1937) ist ein exzellenter Jazz-Pianist, Arrangeur und Komponist. Das Stück Elegy entstand im Jahr 1999 zusammen mit zwei weiteren Werken für...

Nikolai Kapustin is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. The Sonata Op. 70 in three movements for violin and piano was writt...

Kapustins 10 Bagatellen aus dem Jahre 1991 sind kleine unbeschwerte Klavierstücke im Jazz-Kolorit mit hohem technischem Anspruch. Der Zyklus wurde komplett vom Komponisten selbst und von Masahiro Kawa...

In these 10 inventions Kapustin experiments with polyphonic typesetting techniques, and extended tonality up to twelve-tone music. For pianists who are looking for works somewhere between modern and j...

Das Capriccio op. 146 ist Nikolai Kapustins letztes vierhändiges Klavierwerk. Er schrieb es für das Duo „piaNA“ im Jahr 2012. Erstmals wird es nun in einer Notenausgabe veröffentlicht.

Kapustin composed this calm jazz ballad for piano back in 1999. It is now being published in a sheet music edition for the first time.

The Allegro movement "Nothing to Lose" was composed by Kapustin in 2004 and is now published for the first time as a sheet music edition.

Kapustin dedicated the piece "Countermove" to the Canadian pianist Marc-André Hamelin, who had released a complete CD of Kapustin's works in 2004. Kapustin himself later recorded "Countermove" for the...

Kapustin developed this scherzo from a short fun idea. The notes of the piano piece, which was already composed in 1999, now appear in print for the first time.

Kapustin compuso el rondó "Vanidad de vanidades" op. 121 en 2004 y luego lo grabó para su CD "Kapustin Returns!", publicado en Japón en 2008.

Kapustin compuso los "Two Etude-like Trinkets" op. 122 en 2004 y más tarde las grabó para su CD "Kapustin Returns!", que salió a la venta en Japón en 2008.