Nikolai Kapustin: Partituras dificil

El Tema y Variaciones op. 80 de Kapustin fue compuesto en 1996.

Nikolai Kapustin compuso el Impromptu op. 83 en 1997 y más tarde lo grabó para el CD "Last Recording", que salió a la venta en Japón en 2004.

Tres para dos. Tríptico para 2 pianos op. 145 fue escrito por Kapustin en 2012 para el dúo de pianos japonés PiaNA, formado por Natsuki Nishimoto y Asuka Matsumoto.

Nikolai Kapustins Divertissement op. 126 für Violine, Violoncello und Klavier stammt aus dem Jahr 2005. Das viersätzige Werk liegt nun erstmals in einer Notenausgabe vor.

Das Divertissement op. 91 für 2 Flöten, Violoncello und Klavier komponierte Nikolai Kapustin im Jahr 1998. Er nahm es selbst mit Alexander Korneev (Flöte), Marina Rubinstein (Flöte) und Alexander Zago...

Kapustin combina en esta obra su talento para las melodías oscilantes y las armonías improvisadas. Intrada and Finale es un reto para las formaciones de sexteto, pero encanta a los músicos y al públic...

Kapustin's technically demanding 9th Sonata from 1995 is full of jocular twists. It has previously been recorded for CD by Vadim Rudenko.

The virtuoso Toccatina from the 8 Concert Studies Op. 40 is most popular piano piece by Kapustin. On YouTube one can find recordings of numerous pianists. Its use in the opening credits of the compute...

In the virtuosic Capriccio op. 71, composed in 1992, Kapustin returns to twelve-tone compositional techniques. Suitable for pianists looking for repertoire between modernity and jazz that sound like h...

Burlesque is a jolly piece, starting with two lines of solo cello music (arco), which switches to pizzicato as the piano picks up the theme. The work parodies contrasting styles, abruptly juxtaposing...

Nikolai Kapustin is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. The Sonata Op. 70 in three movements for violin and piano was writt...

Virtuoser Jazz in klassischer Form: Auf eine Einleitung im freien Tempo folgt eine flotte Rondo-Sonate, die schließlich mit einem brillanten Höhepunkt in Oktaven endet.

Kapustin beschrieb diese Fantasie als dramatisches und ernstes Stück, das aus wechselnden Episoden konstruiert ist. Der erste Abschnitt steht im freien Tempo, darauf folgen ein Bebop und zuletzt ein J...

In these 10 inventions Kapustin experiments with polyphonic typesetting techniques, and extended tonality up to twelve-tone music. For pianists who are looking for works somewhere between modern and j...

Kapustin's Piano Sonata No. 4 op. 60 in three movements was composed in 1991. With its chromatically expanded tonality, it sounds like improvised progressive jazz.

Virtuoso jazz in classical form: Kapustin's three-movement Piano Sonata No. 5 op. 61 dates from 1991.

Kapustin titled this dreamy jazz piano piece, which is now appearing in sheet music for the first time, with the exclamation "Holy Cow".

Freeway is a light-hearted and virtuoso piano piece with jazz harmonies by Kapustin, now being published for the first time.

This collection from 1998 contains 7 small fugues and canons for the left hand.