Orquesta sinfónica: obras para violín solista

Orchestral material according to the new Beethoven Complete Edition. All conducting scores and orchestral parts are available exclusively through Breitkopf & Härtel. The piano reduction (HN 610) is av...

Reconstructed by Philip Wilby from sketches, consisting of 51 fully orchestrated bars and a partial sketch of a further 83.

Composer's Notes:Dove, Star-Folded was written at Christmas, 2000, in memory of the recently deceased Sir Steven Runciman, who had been a friend for more than thirty years. It was he who owned the sma...

Die frühen Sinfonien (H. C. Robbins Landon)

Die frühen Sinfonien (H. C. Robbins Landon)

Die frühen Sinfonien (H. C. Robbins Landon)

Die frühen Sinfonien (H. C. Robbins Landon)

This work is scored for Concertante Oboe, Trumpet and Violin Soli, and orchestra.

Sinfonia Concertante for Violin, Viola, Clarinet and Bassoon was composed by Anders Koppel in 2007.

GraunWV A:XIII:3, Herausgeber: Leonore und Günter von Zadow. Mit seinen faszinierenden und ungewöhnlichen Strukturen zeigt dieses Werk Grauns perfekte Kenntnis beider Soloinstrumente und seine Fähigke...

Urtext der Neuen Mozart-Ausgabe. 2 Solo-Instrumente und Orchester - Partitur; Urtextausgabe; Gesamtausgabe

Orchestra, SATB, Violin, Baritone Voice, Soprano Ikon of Eros was commissioned by the Minnesota Orchestra on the occasion of the Orchestra's Centennial. First performance on 13th November 2002 at the...

Infinite Rooms - Double Concerto for Violin/Viola, Double Bass and Orchestra by Britta Byström (2016). Dedicated to Malin Broman and Rick Stotijn. Commissioned by the Swedish Radio Symphony Orche...

Dedicado a la violinista estadounidense Amy Schwartz Moretti, el Concierto para violín es una desafiante obra virtuosística de tres movimientos. Con un diseño de concierto tradicional, esta obra emple...

Stimmensatz - Fl I, Fl II, Ob I, Ob II, Hr-g/-d I, Hr-g/-d II, 4 V I, 4 V II, 2 V III (statt Va), 2 Va, 4 Vc/Kb

This three-movement Concerto contains many intriguing passages marking a turning-point in the composer's way of thinking. (...) There are some folk reminiscences, especially in the third movement, but...