Partituras de música clásica

The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fingerings. Its peculiarity results from the characteristic titles...

Partitur = Cembalo - 2 Violen, Streicher und Basso continuo

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...

Partitur = Cembalo-Stimme

Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...

This work consists of four short parts of varying character; the string part is very lively despite its simplicity and is given effective highlights by the solo trumpet.

As to form, both the concertino and the nocturne are still strongly characterised by the features of the baroque suite. As to style, however, melody and harmonic structure point to Viennese Classicism...

In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...

Partitur = Cembalo, Klavier - Trompete, Oboe, Streicher und Basso continuo

Dance movements of Dowland and from the Fitzwilliam Virginal Book have merged to form a suite that can be used both as concertante work and as theatre music.

Probably following a special Leipzig tradition, Bach added four extra movements to the first version of his Magnificat BWV 243a (in E flat major); these can be inserted in performances of the Magnific...

2 Fl, Ob, Klar in B, Alt Sax, Fg, Trp in B, Pos, Cemb, Violine I solo, Violine II solo, Violoncello solo, Streicher

Ob,Vl,Str,Bc

Auf eine besondere Art spricht J. L. Printemps in diesem Werk viele musikalische Gattungen an und räumt der Flöte eine besondere Rolle im Zusammenspiel mit Gitarre und Violine ein. Eine Gelegenheit di...

The edition is part of the Trinity syllabus 2007 (grade 6)