Partituras de música clásica

In the Viennese classical era a divertimento was a light, multi-movement instrumental piece of cheerful, dance-like character. Alongside Mozart, it was above all Haydn who mastered the art of composin...

London, with its bustling musical scene, always provided Haydn with welcome surroundings at a time when the flute was extraordinarily popular among English amateurs. The Earl of Abingdon, an accomplis...

Franz Schubert transformed five song melodies from his rich output of Lieder into instrumental music. The song 'The Trout' from 1817 served as a theme for the variations in his Quintet D. 667 for pian...

Wissenschaftliche Gesamtausgabe, Kritischer Bericht, broschiert (KEINE Partituren!) --> Die Partituren finden sich in den Leinenausgaben.

First Urtext edition Fingering: Klaus Schilde The septet was composed in 1879/80, commissioned for the Parisian Chamber Music Society 'La Trompette'. Saint-Saëns had, however, hesitated for several ye...

Haydn's numerous divertimentos for strings and wind are cheerful, functional music about whose genesis we know very little. Many stem from Haydn's early years, when the composer had to keep his head a...

Haydn's numerous divertimentos for strings and winds are cheerful, functional music about whose genesis we know very little. Many stem from Haydn's early years, when the composer had to keep his head...

Though not nearly as well-known as the 'London Trios,' these six delightful divertimentos are Haydn's first pieces of chamber music to expressly call for the flute. Straightforward and full of Haydn's...

A very readable foreword and extensive Critical Commentary with all necessary information enrich this Urtext edition by master Munich flautist and Mozart expert Henrik Wiese. One may learn there, for...

Mozart's famous statement to his father concerning this unique and singular quintet for piano and winds, scored for piano, oboe, clarinet in B-flat, horn in E-flat, and bassoon, should not be forgotte...

A genuine discovery! Written at the same time as the Magic Flute, this is Mozart's final piece of chamber music. Anyone lacking a glass harmonica should try it with a piano or a harp (it has even been...

This volume completes Henle's urtext series of Joseph Haydn's three piano concertos. Written in or around 1765, the delightful first concerto is ideally suited for playing at home, for the relatively...

The Trio in G minor op. 63 for piano, flute and violoncello, published in 1820, is one of the few chamber music works by Carl Maria von Weber. In the finale one finds some echoes from Weber's probably...

With marked and unmarked string parts. The cellist Robert Hausmann had actually requested a cello concerto - but Brahms paired the cello with a violin in his Double Concerto. The unusual work has alre...

Ever since Mozart encountered the clarinet in Mannheim in 1778 he loved the instrument's warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orches...

It is quite clear to me what is missing from today's music: a Mozart!' With his trios which he consciously kept in a classical manner, Reger hoped to prove the contrary to the 'ignorant people', who f...

I've had to turn out a serenade on short order': these lines from Mozart to his father offer a glimpse into the everyday life of a composer dependent on patronage. Mozart was about to be married when...

At certain points it will be like a serious song, at others like a happy dance …” This was how Dvo?ák described the work which he was composing at the time to a friend in 1890. The word 'Dumka” (plura...

'Wind music of a very special nature on a large-scale, a composition by Hr. Mozart' - this was the way the 'Wiener Blättchen' announced the concert in the National Court Theatre, in which the clarinet...

This Trio's unusual scoring for horn, violin and piano prompted speculation early on about a possible background to it that had no connection with music. Brahms's biographer Max Kalbeck saw in it a la...

Hoy en día, el trío para piano compuesto en 1804 por Johann Nepomuk Hummel se encuentra injustamente a la sombra de las grandes obras de referencia de aquella época; sin embargo, combina la elegancia...

Robert Fuchs (1847-1927), apodado en tono jocoso «el zorro de las serenatas» (fox significa «zorro» en alemán) por sus contemporáneos, como Johannes Brahms, es hoy en día un nombre prácticamente desco...

Did Mozart intend this work to be a duo for two bass instruments, or - as the simple basso-like manner of the second part suggests - a sonata for bassoon and keyboard instrument? We will probably neve...

No romantic poetry and no concrete fairytale figure occasioned Schumann to write this composition. Today, we can assume that the title of the pieces, originally entitled 'Romances', was merely suppose...