Partituras de Clásico medio

This song by Max Reger originally appeared as a solo song for voice and piano. In this arrangement, the melody appears in all vocal lines creating interest for all of the singers. The lilting melody c...

Johann Sebastian Bach’s masterful funeral cantata "Gottes Zeit ist die allerbeste Zeit" (BWV 106), widely celebrated as the "Actus tragicus", ranks among the most profound and moving works of Baroque...

Dvorák composed the 'Mass in D major' in 1887 at the suggestion of his patron Josef Hlávka for the inauguration of the Lužany castle chapel. It is written for choir and organ with sporadic passages fo...

Tragédie Opéra (Drama heroico) en 3 actos. Versión de París 1774 (francés/alemán). Reducción para piano según el Urtext de la Edición Completa de Gluck. Soprano solo (2), tenor solo, coro mixto, flaut...

Reducción para piano basada en el Urtext de la Nueva Edición Mozart. Soprano solista, contralto solista, tenor solista, bajo solista, coro mixto-SATB, oboe (2), trompeta (2), trombón (3), timbales, cu...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...

> La conocida composición de Réquiem en el Urtext de Bärenreiter Prólogo bilingüe (inglés/alemán) Reducción para piano de fácil ejecución (latín) (BA8961-90) Famoso Réquiem de principios del siglo XIX...

Commissioned by the Armenian State Symphony Orchestra and Chorus for a commemorative event in 2022, this work presents the composer's celebrated Passcaglia for string orchestra of 1995 in a new scorin...

en combinación con la séptima estrofa del coral «¿Por qué debería entristecerme?» de Paul Gerhardt (1653)

en combinación con la décima estrofa del coral «¿Por qué te entristeces, corazón mío?» (anónimo, siglo XVI)

en combinación con la décima estrofa del coral «¿Por qué te entristeces, corazón mío?» (anónimo, siglo XVI)

Richard Strauss compuso «Allerseelen» («Pon sobre la mesa las fragantes resedas») en 1885, cuando tenía 21 años y acababa de ser nombrado director musical de la corte de Meiningen. Hoy en día es una d...

Richard Strauss compuso «Allerseelen» («Pon sobre la mesa las fragantes resedas») en 1885, cuando tenía 21 años y acababa de ser nombrado director musical de la corte de Meiningen. Hoy en día es una d...

Juditha triumphans devicta Holofernis barbariae or "the triumphant Juditha who defeats the barbarian Holofernes" is the title of Vivaldi's only surviving oratorio. It takes up the plot of the apocryph...

Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other lar...

Of the 11 surviving settings of the Mass by Charpentier, the present work, the Messe de minuit, is without doubt one of the most popular. Although Charpentier's Parisian career is quite well documente...

Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publicat...

Russian composer Nikolay Rimsky-Korsakov is noted for creating music that is striking and dynamic. Jay has beautifully adapted this famous overture for concert band in an arrangement that certainly re...

Johannes Brahms was not a religious man in the usual sense of the term, so it should be of no surprise that when he wrote the German Requiem; it did not follow the prescribed five movement form of the...

Die vorliegende Sammlung bietet eine Auswahl klangvoller und praxiserprobter Vortragsstücke, mit denen sich Programme für fast jeden Anlass zusammenstellen lassen. Die stimmungsvollen Sätze sind vom S...

> Urtext edition based on 'Georg Philipp Telemann, Musical Works' > Cantata for the first day of Whitsun > Ideal for church services and concerts > An attractive addition to the repertoire with a view...