Partituras de Gabriel Fauré para violonchelo

Violon Ou Violoncelle Et Piano

Sicilienne, op. 78 (3'43'') transcription pour violoncelle et Guitaree. Par Faure aux éditions Leduc. Partition / Livre de chansons pour violoncelle

Après un rêve transcription pour violoncelle et Guitaree. Par Faure aux éditions Leduc. Partition / Livre de chansons pour violoncelle

Mélodies vol 1 arrangements de divers auteurs pour piano. Par Faure aux éditions Leduc. Partition / Livre de chansons pour violoncelle

Clair de Lune (transc. A. Périlhou); En Prière (transc. H. Büsser); Sérénade toscane (transc. F. Ronchini) - for violin (or cello) and piano

Violoncelle Et Piano

A Cello solo with Piano Accompaniment composed by Gabriel Fauré.

A Cello solo with Piano Accompaniment composed by Gabriel Fauré.

A Cello solo with Piano Accompaniment composed by Gabriel Fauré.

A Cello solo with Piano Accompaniment composed by Gabriel Fauré.

Al crear esta docena de arreglos, he escogido sin pudor entre una larga y rica veta de música francesa. Confío en que los intérpretes más jóvenes y los que se inician en el violonchelo disfrutarán con...

Fauré initially wrote the Sicilienne as indicental music to Molière's 'Bourgeois gentilhomme' for small-scale string orchestra. In 1898 he wrote an arrangement for violoncello and piano which enjoys g...

Gabriel Fauré’s world-famous "Pavane, Op. 50" has captivated audiences for generations with its melancholic beauty and timeless elegance. In this masterful transcription by Joaquim De Sousa-Antunes, t...

Immerse yourself in the enchanting sonic world of Romanticism with the "Romance Sans Paroles Op. 17/1". This deeply expressive piece captivates with its intimate melodic lines and harmonic refinement,...

Immerse yourself in the enchanting world of romanticism with the "Romance Sans Paroles Op. 17/2". This timelessly beautiful piece unfolds a profound emotional expressiveness and unforgettable melodies...

'New forms, well-chosen modulations, strange timbres, the use of wholly unexpected rhythms', this is how Camille Saint-Saëns praised the first work of a young colleague, the First Violin Sonata by Gab...

'New forms, well-chosen modulations, strange timbres, the use of wholly unexpected rhythms', this is how Camille Saint-Saëns praised the first work of a young colleague, the First Violin Sonata by Gab...