Partituras de Joseph Haydn para conjunto de cuerdas

At the end of the 18th century, the town of Cádiz in southern Spain provided the backdrop for a Passion to mark Christ's hour of death; its focal point was the reading and interpretation of Christ's l...

Masterly and full of new ideas': thus the Swedish ambassadorial secretary Silverstolpe when he first heard these pieces in 1797. Haydn's friend, the music historian Charles Burney, reported in 1799 th...

The preface by Christin Heitmann provides illuminating background information. Haydn did not assign the nickname 'Sun Quartets': it alludes to an edition of the time, in which the title page was decor...

Haydn allowed about ten years to pass before composing a new cycle of string quartets after opus 20: the so-called 'Russian Quartets'. This is the first series of quartets that we know he wrote with p...

The volume opens with something unusual: opus 42 is a single work, short and surprisingly easy to play; Haydn described it as 'something small and with only 3 pieces'. The Quartets op. 50, including t...

These are the last of the nearly seventy quartets in Haydn's oeuvre. Originally he intended to write a set of six quartets, as so often in the past, but at the time they were written, in 1803, Haydn's...

Op. 76. Erdödy-Quartette.

Inhalt: Direktion und Einzelstimmen Violine 1 + 2, Viola, Violoncello

Inhalt: Direktion und Einzelstimmen Violine 1 + 2, Viola, Violoncello zugeschieben: Roman Hoffstetter (1742 - 1815) Spieldauer ca. 9:55 Min.

(Die Trios Nr. 5, 9, 13 sind verschollen)

(Die Trios Nr. 5, 9, 13 sind verschollen)