Partituras de Música clásica (época barroca) para Solistas, coro y orquesta

Richer than ever - Rameau’s 'Zoroastre' in the version of 1756 Rameau’s revised version of his opera 'Zoroastre', which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académi...

Más rica que nunca - "Zoroastre" de Rameau en la versión de 1756 La versión revisada de Rameau de su ópera "Zoroastre", que se representó y escuchó en la Académie royale de musique entre el 20 de ener...

Über die Entstehungszeit der Kantate Lobe den Herren, meine Seele kann nur gemutmaßt werden. Mehrere Indizien sprechen jedoch für eine frühe Entstehung, möglicherweise noch während Kuhnaus Aufenthalt...

Purcell composed six of his finest odes to honour the birthdays of Queen Mary in successive years from 1689. Come, ye sons of art (1694) followed recent stage successes and contains some of the compos...

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

The SAINT JOHN PASSION, BWV 245, is the oldest of the surviving J.S. Bach (1685-1750) Passions, written during his first year as director of church music in Leipzig. It was premiered on April 7, 1724,...

George Frideric Handel (1685-1759) composed the three-act oratorio Hercules, HWV 60 during a four-week period in 1744. Telling the story of the ancient Greek hero Hercules' death through the jealousy...

George Frideric Handel (1685-1759) composed the three-act oratorio Hercules, HWV 60 during a four-week period in 1744. Telling the story of the ancient Greek hero Hercules' death through the jealousy...

Johann Sebastian Bachs Magnificat BWV 243 ist eine opulente Festmusik, die in vielerlei Hinsicht eine Besonderheit in seinem Œuvre darstellt. Die erste Fassung (Es-dur, BWV 243.1) erfährt ihre Urauff...

Handel’s “Semele”, which premiered in February 1744, is based on an adapted version of William Congreve’s opera libretto titled “The Story of Semele”, originally published in 1706. However, neither Ha...

Urtext of the Hallische Händel-Ausgabe Prólogo bilingüe (alemán/inglés) Primera versión de representación y otras dos versiones interpretables Buena reducción para piano La composición "semele", estre...

The Acte de ballet "Zéphire" was never performed during the lifetime of its authors, although the autograph manuscript shows traces that Rameau worked on it several times between 1748 and 1759 – possi...

Drame lyrique en tres actos y un prólogo (1779) Libretto: Louis-Théodore Baron de Tschudi (según "Narcissos ed Eco" del Metamorfosi de Ovidio) (francés) Premiere: 24 de septiembre de 1779, París, Óper...

The performance material is derived from the scholarly-critical editions of the 'Das Erbe deutscher Musik'' series, on which the informative Preface and Critical Report were based.

Johann Sebastian Bach (1685-1750) compuso su CANTATA NN. 29: WIR DANKEN DIR, GOTT, WIR DANKEN DIR (TE DAMOS LAS GRACIAS, DIOS, TE DAMOS LAS GRACIAS), BWV 29 para la toma de posesión del nuevo ayuntami...

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues....

The Christmas Oratorio, with its six parts, has become dear to the hearts of countless music lovers all over the world. What sounds today as if it could never have been otherwise, in reality dates bac...

En la ópera Orfeo de Georg Philipp Telemann, el centro de atención no es Eurídice, sino la reina Orasia, enamorada perdidamente pero no correspondida del legendario cantante. La primera representación...

Concebida originalmente como prólogo para el ballet "Les Beaux Jours de l'Amour", la obra en un acto "La Naissance d'Osiris" sólo se representó dos veces, junto con las reposiciones de "Pigmalion" y "...

Concebida originalmente como prólogo para el ballet "Les Beaux Jours de l'Amour", la obra en un acto "La Naissance d'Osiris" sólo se representó dos veces, junto con las reposiciones de "Pigmalion" y "...

In the autograph, the 'little Cecilia Ode', composed in September 1739, is superscribed with 'Song'; the title used in contemporary sources, such as the textual source by John Dryden, and taken over b...

“Les Boréades", edited by Sylvie Bouissou, the project leader of the Rameau Complete Edition and a central figure in international Rameau research, is a milestone – at last this exceptional work is ac...

La ópera "Dido y Eneas", una nueva versión de la conocida historia del Libro IV de la Eneida de Virgilio, se ha consolidado como una de las favoritas del público. Esto se debe a la habilidad de su com...

Agostino Steffani's “Henrico Leone” is a work that stands out in the history of opera at the end of the 17th century due to the confluence of very different factors. The world premiere marked the inau...