Partituras de edición Urtext

Urtext-Neuland: Die Ouvertüre Leonore Nr. 3 To this day, the two central Fidelio overtures are performed from musical texts that date back to the inaccurate and erroneous first printings of the parts....

... without a warm feeling of love' 'Tchaikovsky urtext' is no longer a rarity in the Breitkopf orchestral catalog. Polina Vajdman edits an extremely popular repertoire work, which the composer himsel...

Un 'fuego artificial' en Urtext Después de 'Boléro' y 'La Valse', una tercera obra de Ravel, muy interpretada, se incluye en el programa orquestal de Breitkopf - y esto, por supuesto, en una edición '...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

On their way to Salzburg, Constanze and Wolfgang Amadeus Mozart made a stopover in Linz in the fall of 1783. The stay was productive: the 13-voice, four-movement Linz Symphony was created. To compose...

El oratorio de Pascua BWV 249 se estrenó el Domingo de Pascua de 1725 con el texto "Venid, daos prisa y corred". En el cómputo de la nueva BWV, se trata ya de la BWV 249.3, tras dos cantatas de felici...

In cooperation with the G. Henle publishing house

In cooperation with the G. Henle publishing house

In cooperation with the G. Henle publishing house

In cooperation with the G. Henle Verlag For the first time the version last hand Edition for violoncello and piano marked by Heinrich Schiff

Thanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Y...

Mozart excitedly reported to his father that the Comte de Guines played the flute incomparably, while his daughter was magnifique at the harp. He apparently had no reservations about writing a double...

The unbroken popularity of Vanhal's sole double bass concerto in competitions and for practice and concert purposes is reason enough for us to publish the work in Breitkopf Urtext. The edition profits...

From the early years of the clarinet concerto Louis Spohr's First Clarinet Concerto was written in winter 1808/09, at a time when the clarinet had just established itself as an orchestral and solo in...

Louis Spohr's technically, extremely demanding concertos have long been part of clarinetists' standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarineti...

The Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. The clean autograph of the Horn Concerto in Eb majo...

Created in cooperation with G. Henle Verlag Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing...

The Urtext edition of what is arguably the most often played double-bass work of all was long overdue. The work was previously available only in an abridged and arranged form. The edition departs from...

Just like Joseph Haydn's E flat major concerto Hob VIIe:1 (1796), Hummel's Trumpet Concerto in E major of 1803 was also written for the Viennese soloist Anton Weidinger, who performed on a keyed trump...

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugène Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saëns’ concert piece composed in 1...

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime...

The edition supervised by Thomas Fritzsch goes back to the only authentic source, a copy from the late 19th century - its predecessors are lost to this day .

For the first time clearly the 'Fassung letzter Hand'. Breitkopf Urtext [Vl,Orch] 35' Solo: Vl - Picc 2.2.2.2. - 4.2.3.0. - Pk.Schl - Hfe - Str - (Riedel, Christian R.)