Partituras de música clásica para conjunto mixto

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Cannabich's pieces, first published in 1774, may be counted among the few substantial duos of this genre that are characterized by a careful distribution of thematic-melodic material. To be recommende...

In Vivaldi's only two-trumpet concerto, which radiates festive splendor, he shows all the tricks of the trade in order not to let the lack of notes (only eleven were available at the time) become noti...

Barrière's works, influenced by Italian-inspired subject matter, with their varied, often highly ornamented melodies and frequently bold harmonies, and his playing were met with great respect and admi...

Hoffmeister gave us an enchanting serenade music with the F major Nocturne, in which the flute, especially in the Adagio, offers a flourishing array of melodies. Rhythmically and articulatory finely t...

Edited from the original edition.

An excellent 'Minnegesang' for two flutes: In vocal filigree balance, winds and strings also vie over a guitar foundation to present the most beautiful melodies. Exquisite!

Méditation, Barcarolle, Promenade nocturne au Pavillon, La fête pendant les vendanges

The trio, enriched with virtuoso pianistic elements, may recall a master whose works already foreshadow the Romantic age in their national-folkloristic, melodic and rhythmic ductus.

Although the oboe is to be preferred for its melodic qualities as well as its passable range, the part can also be played advantageously by a C clarinet. The bassoon part is brilliant and instrumental...

First Edition

The note 'Tromba, se piace' in the source indicates that the piece can also be played without trumpet, this 'with' or 'without' moreover solo or choral instrumentation. Easy to perform.

Alto recorder or bass recorder (flute, violin, viola, cor anglais) viola (viola da gamba) and basso continuo.

The double violin parts in the source suggest that the trumpet was accompanied by a chorus. The instrumentation with bassoon as continuo-bass is remarkable. Performed as a solo, this magnificent work...

First Edition

These concertante quartets, 'ultra-modern' for their time, inspire for their melodic inventiveness as well as the cultivation of the instrument-specific sound spectrum of the clarinet part with built-...

The trio was commissioned for the Museumskonzerte Basel-Dornach in the Haydn Year 2009. The cascade-like homage in variations captivates with a filigree virtuoso network between the instruments.

The works, still written in the garb of late Baroque concertante form, reach far into the High Classical period in their 'sensitive manner' as well as melodic invention, despite a continuo-bound bass.