Partituras medio de Schott Musik

Stimmensatz - Flöte I, Flöte II/Alt-Blockflöte, Sopran-Blockflöte ad lib., 3 Schlagzeuge, Violine solo ad lib., 4 Violinen I/II, 2 Violoncelli, 2 Kontrabässe, Sopran-Glockenspiel, Alt-Glockenspiel [2....

Dieses musikantische Konzert des böhmischen Komponisten Joseph Schubert (1757-1837) ist eine Bereicherung des Flötenrepertoires der Klassik.

As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...

As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...

2 Violinen, Violoncello und Kontrabass (solistisch oder chorisch)

Apart from the ten 5-minute string quartets that I wrote in 1992 as theoriginal version of A Man in a Room, Gambling, there are 8 years between my second and third quartets. Another element which find...

The String Quartet in G minor Op. 8 dates from the time when Joseph Haas studied with Max Reger (1905). While reflecting the clear influence of his teacher as to form, it also shows the young composer...

The String Quartet in G minor Op. 8 dates from the time when Joseph Haas studied with Max Reger (1905). While reflecting the clear influence of his teacher as to form, it also shows the young composer...

Highly expressive though transparent and comprehensible music with strict compositional technique. A demanding task for good string orchestras.

Muffat, pupil of Lully and Corelli, composed his concerto 'Victoria Maesta' ('Sad Victory') in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the...

Stimmensatz - Oboe I/II, Horn I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe - Kammerorchester

The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.

Eine überraschende Entdeckung für die Cello-Konzertliteratur stellt das vorliegende Werk dar, das in der 2. Hälfte des 18. Jahrhunderts entstanden ist und Einflüsse der Mannheimer Schule zeigt, sowie...

The Spiritual Concerto for violin and string orchestra by Helmut W. May has everything that is necessary to become a repertory piece for -young violin soloists: of medium difficulty, rewarding, despit...

Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...