Partituras para Conjunto navideño para el concierto de Navidad

In the period around 1700, numerous settings of the Magnificat were performed in the main Leipzig churches. Works by composers such as J. Kuhnau and G. P. Telemann survive; however, the best-known exa...

Bach's well-known church cantata 'Schwingt freudig euch empor' BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be...

Bach's well-known church cantata 'Schwingt freudig euch empor' BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be...

La conocida cantata eclesiástica de Bach "Schwingt freudig euch empor" BWV 36, que se estrenó en su versión definitiva en la Nikolaikirche de Leipzig el 1 de Adviento de 1731, se remonta a una cantata...

Bach's well-known church cantata 'Schwingt freudig euch empor' BWV 36 (Up joyous raise your song), first heard in its final version on First Advent Sunday in 1731 at the Leipzig Nikolaikirche, can be...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

This six-movement chorale cantata was first performed on 26 December 1724. The text is based on the Lutheran translation of the early Christian hymn A solis ortus cardinem. The outer movements frame t...

El texto de la cantata coral, estrenada el 26 de diciembre de 1724, se basa en la traducción de Lutero del himno cristiano primitivo A solis ortus cardinem. La obra, de seis movimientos, contiene dos...

Para su cantata BWV 152, Bach eligió una instrumentación inusualmente camerística que aún hoy resulta muy colorista y animada: Las dos partes vocales solistas están acompañadas por flauta dulce, oboe,...

Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...

Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...

Bach was not able to use the Weimar Advent cantata 'Ärgre dich, o Seele, nicht' BWV 186a in Leipzig, as there was no performance of church music there between the 1st Sunday of Advent and Christmas. B...

The cantata 'Ärgre dich, o Seele, nicht' (Fret thee not, thou mortal soul) BWV 186 is in a sense the companion work to the much better-known cantata 'Herz und Mund und Tat und Leben' BWV 147. Both wer...

Bring festive brilliance to your church concerts and holiday services! With "Gloria in Excelsius" – widely cherished as the traditional Christmas carol "Angels We Have Heard on High" ("Hört der Engel...

El "Milagro" es un oratorio de Navidad con las conocidas partes clásicas, pero en un estilo musical popular. Es adecuado tanto para representaciones escénicas como para conciertos. Los papeles solista...

Ziani's solo motet, which can be considered on a par with Buxtehude's Jubilate Domino, has its place in the Advent and Christmas season. It was first performed in Vienna in 1713. The voice and the vio...

Kantate für Sopran [e'-gis''], Chor ad lib., 2 Violinen, Viola & Orgel, Weihnachtskantate (Nr. 8) aus dem Engel-Jahrgang 1748-49, herausgegeben von András Székely.

Saint-Saëns tenía sólo 23 años cuando compuso su "Oratorio de Noël" en sólo doce días en 1858. Editado por Christina M. Stahl, su Oratorio de Navidad está ahora disponible en una completa edición Urte...

Saint-Saëns tenía sólo 23 años cuando compuso su "Oratorio de Noël" en sólo doce días en 1858. Editado por Christina M. Stahl, su Oratorio de Navidad está ahora disponible en una completa edición Urte...