Partituras para violín solo

I wrote the first movement of my Sommersonate in the summer of 2010, and though a self-contained work, it called out for continuation or a companion piece. I imagine the first movement, marked moderat...

'Zauberei, Magie, Mythen, Legenden, dies sind die großen Themen barocker Opern - Ausdruck der Sehnsucht jener Zeit, sich durch die Illusion der Oper dem Phantastischen hingeben zu können. Diese unverk...

Leclair gehört zu den großen klassischen Meistern der Violine; unter den französischen Komponisten für dieses Instrument steht er an erster Stelle.

Nikolai Andreyevitch Roslawez (1880/81-1944) studied violin in his youth, taught violin later and very often even gave concerts himself. The works he left comprise numerous compositions for his favour...

Nikolai Andreyevitch Roslawez (1880/81-1944) studied violin in his youth, taught violin later and very often even gave concerts himself. The works he left comprise numerous compositions for his favour...

Cyril Scott composed the 'Three Lyrical Pieces' for violin and piano at the beginning of the 20th century and dedicated them to his friend, the violinist Paul Stoeving, professor at the Guildhall Scho...

Iridescent changes of time are the determining element in 'Poème érotique' of Cyril Scott's 'Deux Préludes' composed in 1912. Amid the melodic flow of the violin, the piano undertakes sophisticated sh...

Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and hi...

Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and hi...

Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and hi...

This work, composed in 1990 at the suggestion of the violinist Saschko Gawriloff, is in the tradition of great virtuoso violin concertos. Originally consisting of three movements, the work was revised...

In this sonata, calm passages alternate with extremely lively ones in traditional style. The piano plays in chordal style most of the time as real accompaniment, with polyphonic ensemble playing not b...

These two chamber music works are one of the main focuses in the oeuvre of Ulvi Cemal Erkin. Lively and spirited, they combine Western European tradition with rhythmic and melodic elements from Turkis...

La Follia - The Folly - is one of the most famous variation themes in music history. Composed by the father of modern 18th and 19th century violin technique, it is presented in this edition, based on...

Every player may imagine a wishful portrait for this short elegiac piece. Musically inspired by contrasting works such as 'Portrait for Tracy' by the jazz bassist Jaco Pastorius and the Saraband in D...

In his choice of the title La Follia, Krzysztof Penderecki recalls the tradition of virtuosic variations on a Sarabande originating from the Baroque period. The theme is introduced first in pizzicato,...

Die zweite Violinsonate op. 58 entstand im November und Dezember 2009 und ist als freundliches Gegenstück zu der düster-aufgewühlten ersten Violinsonate op. 38 (2000) konzipiert. Die helle Grundstimmu...

Rosenblatt's work is characterised by an elegant virtuosity. This is a rewarding concert and encore piece, reminiscent of Bach's contrapuntal skills and combines traditional stylistic elements with ne...

This work by 17-year-old Fazil Say is from the early creative period of the Turkish composer. Supported by Aribert Reimann and David Levine, he composed the four pieces for the 750th anniversary of th...

Musicians onstage stand in the limelight and enjoy their fame whereas after performance they become shrouded in a strange fog of isolation.

The five movements of this vivid opening to the exhibition are connected through pizzicato intermezzos. The fourth movement demands a second scordatura instrument; the use of little bells and singing...

The short two-part composition refers to two persons by the name of Teresa. One of them was a beautiful Polish actress, the other the favourite model of the painter Balthus. I tried to fuse the charac...