Bernhard Päuler

Source: No. 14 Oeuvres posthumes 1884 by Jobert, Paris 'ALLEGRO ET SCHERZO pour PIANO et ALTO'.

Flackton's sonatas are among the earliest original works for the viola. Their moderate difficulty level allows them to be performed as opening pieces in concerts.

First Edition

Edited from the first edition.

The concertante duos op.25 apostrophized as 'Great Duets' appeared in several editions already in the 19th century, a sign of appreciation. Brilliant and stirring.

The self-critical works impress with a great variety of forms, harmonics and invention, the utility works of his contemporaries excel. Repertoire.

In the 'salon' of the 19th century cultivated musical entertainment, which still finds favor today by its sound-loving, enriched with distinctive harmonic reversals.

Romberg's Clarinet Quintet brilliantly picks up where Mozart's masterpiece K. 581 left off. Romberg's round of melodies is paired with ambitious equal treatment of the instruments.

Bach's 6th trio sonata concludes the cycle of organ trios, whose 'beauty cannot be said enough' (J.N. Forkel), congenially usable in the version with strings.

Edited from the original edition.

Edited from the first Edition.

Quartet I: C major, Quartet II: G major

As in the best of his stage works, the quartets reveal a high sense of clarity of form and noble melody, even if the dramatic element peculiar to his operas occasionally comes through. Easy to arrange...

In op. 47, which enriches the literature with two cellos, Scholz achieves a passion and warmth of expression, a 'higher peculiarity of reflection on the essential' that should make music makers sit up...