Wolfgang Kostujak

The idiomatic peculiarities of the recorder are taken into account in all 6 sonatas and their possibilities regarding the range, their tonal as well as technical-virtuosic bandwidth are fully exhauste...

Hardly anyone among the traveling flute virtuosos of the early 18th century wrote more beautifully for the recorder than J.Chr. Schickhardt. In his sonatas and trios he knew how to capture once again...

Hardly anyone among the traveling flute virtuosos of the early 18th century wrote more beautifully for the recorder than J.Chr. Schickhardt. In his sonatas and trios he knew how to capture once again...

Las sonatas publicadas en 1732 en Ámsterdam, Londres y París con el nombre de Benedetto Marcello han llegado hasta nuestros días firmemente asentadas en el repertorio para violonchelo. Aunque la autor...

Telemann's sonatas, published in 1728, are 'methodical' according to the meaning of the word in his own day, since in addition to the plain melody line given to the soloist in the first movements they...

Metódicas" fue como se describieron las seis sonatas de Telemann cuando se publicaron en 1732, porque incluían una segunda versión ornamentada de la sencilla línea melódica del instrumento solista par...

The now much-loved cantata from 1699 is presented here in an edition critically arranged according to the source. The recorder parts are included in 2 playing scores.

Taken from the collection of 10 sonatas for 2 to 5 string instruments, the work's themes and rhythms reveal the musical heritage of Rosenmüller's homeland. Light.

Bach's 6th trio sonata concludes the cycle of organ trios, whose 'beauty cannot be said enough' (J.N. Forkel), congenially usable in the version with strings.

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.

The 3rd sonata of the organ sonatas is presented here in the original key of D minor. Following the conventions of Bach's time, we gave the ingenious work a new garb for 2 violins and bc.

The melodic inventiveness of the 'Amuzettes' is indebted to the taste of the Parisian salon. The characterizing 'Zeitvertreib' titles reflect the noble grace and playfulness of the 'very light'-flavor...

Sonata IV: C major; Sonata V: B flat major, Sonata VI: C major

Sonata VII: g minor; Sonata VIII: F major; Sonata IX: g minor

Sonata X: F major; Sonata XI: f minor; Sonata XII: a minor

Loeillet's sonatas shine with a didactic flair for flute-specific passage playing as well as cultivated French 'sound rhetoric'. A must for school and home.

Loeillet's sonatas shine with a didactic flair for flute-specific passage playing as well as cultivated French 'sound rhetoric'. A must for school and home.

Loeillet's sonatas shine with a didactic flair for flute-specific passage playing as well as cultivated French 'sound rhetoric'. A must for school and home.

As one of the most popular opera composers of his time, only these three instrumental pieces by Sarri are highly recommended for school and home, in addition to a flute concerto.

With Foreword and Critical commentary for 2nd Sonata in C major.

As the composition teacher of Princess Anna Amalia of Prussia, the sonatas offer insights into the multifaceted teaching practices of the time. Authentically edited according to three sources.

The perfectly formed contrapuntal interplay, the compact shaping of the movements show Boni to be a profound connoisseur of the high baroque Italian composer's style.

The two sonatas are among the most beautiful 'songs' from the famous 'Viennese School' entrusted to the flute; warmly recommended in the didactic field.