Christian Rudolf Riedel

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned an entire opera, then a Singspiel, finally an oratorio - and yet, at the end...

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 he began his compositional approach to Goethe's...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...

The importance of the genre "overture" for Robert Schumann is shown by the creation chronology of his only opera. The composer notes "overture thoughts" as the first keyword in the household book and...

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...

The overture to Hermann und Dorothea is Schumann's only compositional result to Goethe's verse epic. Originally, he planned a whole opera, then a Singspiel, finally an oratorio - and yet, at the end o...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 he began his compositional approach to Goethe's...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

Faust' Overture for the first time in the original text The question 'Why music to such accomplished poetry?' moved Schumann long and intensely. In 1844 his compositional approach to Goethe's 'Faust'...

Immerse yourself in the monumental soundscape of a true orchestral milestone: The Symphony No. 1 in D major, presented in its definitive 1910 final version, unfolds unparalleled emotional depth and or...

Experience the captivating soundscape of the Symphony No. 1 in D major in its definitive final version from 1910. With this practical supplementary viola part from the renowned publishing house Breitk...

Instrumentation: winds (2/2/2 - 4/1/0/0), timpani, harp + strings

Instrumentation: winds (2/2/2 - 4/1/0/0), timpani, harp + strings

Instrumentation: winds (2/2/2 - 4/1/0/0), timpani, harp + strings

Instrumentation: winds (2/2/2 - 4/1/0/0), timpani, harp + strings

Instrumentation: winds (2/2/2 - 4/1/0/0), timpani, harp + strings