Franz Beyer

Das eigentümliche Soloinstrument hatte dem Werk bei seinem Erscheinen - 1871 in der Erstausgabe wurde das Arpeggione durch Violine (!) und Violoncello ersetzt - bestimmt zusätzliche Aufmerksamkeit ver...

Das eigentümliche Soloinstrument hatte dem Werk bei seinem Erscheinen - 1871 in der Erstausgabe wurde das Arpeggione durch Violine (!) und Violoncello ersetzt - bestimmt zusätzliche Aufmerksamkeit ver...

Mit über 1.200 Titeln aus Orchester- und Chorliteratur, Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen großen Teil der Musikgeschichte vom Ba...

Franz Beyer's Urtext edition, even in cases of occasional inconsistency, adheres to Mozart's transcription.

Franz Beyer's Urtext edition, even in cases of occasional inconsistency, adheres to Mozart's transcription.

Franz Beyer's Urtext edition, even in cases of occasional inconsistency, adheres to Mozart's transcription.

Franz Beyer's Urtext edition, even in cases of occasional inconsistency, adheres to Mozart's transcription.

Franz Beyer's Urtext edition, even in cases of occasional inconsistency, adheres to Mozart's transcription.

The revision was made on the basis of Mozart's autograph, which today, after being moved from the Prussian State Library to Poland during World War II, is in the Jagiellonska Library in Kraków.

The revision was made on the basis of Mozart's autograph, which today, after being moved from the Prussian State Library to Poland during World War II, is in the Jagiellonska Library in Kraków.

The revision was made on the basis of Mozart's autograph, which today, after being moved from the Prussian State Library to Poland during World War II, is in the Jagiellonska Library in Kraków.

The revision was made on the basis of Mozart's autograph, which today, after being moved from the Prussian State Library to Poland during World War II, is in the Jagiellonska Library in Kraków.

The revision was made on the basis of Mozart's autograph, which today, after being moved from the Prussian State Library to Poland during World War II, is in the Jagiellonska Library in Kraków.

Wolfgang Amadeus Mozart's radiant Mass in C major, K. 257, widely known as the "Great Credo Mass," stands as one of the most impressive sacred masterpieces of the Viennese Classical era. Scored for fo...

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

The 'Köchel' still describes the autograph to Mozart's popular aria, but reports it as 'lost' already in 1964. Now the manuscript has reappeared and serves (1997) as a reliable basis.

Until now, Schubert's most popular 'Youth Mass' often sounded with strings only. Then the set of parts written by Franz Schubert himself was recovered in Klosterneuburg.

Franz Schubert’s Mass No. 2 in G major, D 167, is undoubtedly one of the most beloved and melodious early masses by the Viennese master. For a long time, this graceful masterpiece for soloists (STB) a...