Sammy Nestico

This arrangement calls for a very lazy feel. Keep saxes quietbehind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce so...

This arrangement calls for a very lazy feel. Keep saxes quiet behind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce s...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...

This arrangement combines two styles -- straight 8ths and a jazz 4/4 feel.

This arrangement combines two styles -- straight 8ths and a jazz 4/4 feel.

This arrangement combines two styles -- straight 8ths and a jazz 4/4 feel.

The attitude of this chart is similar to a television commercial -- play with steady rhythm and good balance, but not much dynamic range. The drummer must play with a strong attitude and use his/her p...

The attitude of this chart is similar to a television commercial -- play with steady rhythm and good balance, but not much dynamic range. The drummer must play with a strong attitude and use his/her p...

The attitude of this chart is similar to a television commercial -- play with steady rhythm and good balance, but not much dynamic range. The drummer must play with a strong attitude and use his/her p...

From the Quincy Jones -- Sammy Nestico CD titled Basie & Beyond. Composed and arranged by the legendary Sammy Nestico, this chart begins with a funky drum groove and develops into a nice easy swing fe...

From the Quincy Jones -- Sammy Nestico CD titled Basie & Beyond. Composed and arranged by the legendary Sammy Nestico, this chart begins with a funky drum groove and develops into a nice easy swing fe...

Written for Sammy's friend Charlie Lake, highlights in this well-articulated funk excursion include an amazing sax section soli, a full-length tenor sax solo chorus, followed by additional solos for a...

Written for Sammy's friend Charlie Lake, highlights in this well-articulated funk excursion include an amazing sax section soli, a full-length tenor sax solo chorus, followed by additional solos for a...

Written for Sammy's friend Charlie Lake, highlights in this well-articulated funk excursion include an amazing sax section soli, a full-length tenor sax solo chorus, followed by additional solos for a...

Originally recorded by Count Basie, then re-recorded in 2005 by the SWR Big Band CD Basie-cally Sammy, this medium tempo chart featuring a small combo within the jazz ensemble has an unconventional ch...

Originally recorded by Count Basie, then re-recorded in 2005 by the SWR Big Band CD Basie-cally Sammy, this medium tempo chart featuring a small combo within the jazz ensemble has an unconventional ch...

Recorded in 1971 by the Count Basie Orchestra on their Have A Nice Day album, this classic featuring solo trombone opens and closes with a directed chorale. In between, the pairing of a gospel groove...

Recorded in 1971 by the Count Basie Orchestra on their Have A Nice Day album, this classic featuring solo trombone opens and closes with a directed chorale. In between, the pairing of a gospel groove...

The master of jazz arranging, Sammy Nestico, pays tribute to America's most notable art form with this montage for concert band. Four distinct styles in the history of American jazz are represented wi...