Wolfgang Kostujak

Legrenzi's music-historical significance culminates in the fusion of the vocal voices with the concertante instruments. We also encounter the 'dramatic' melody in the chamber sonatas.

The only oboe sonata by the Bach student Kirnberger appeared in the anthology 'Vermischter Musikalien' in 1769, which can be seen as a sign of compositional appreciation.

From Rosenmüller's collection of sonatas for two to five voices from 1682, which are characterized by a bold experimentation with form and harmony. Executable in the 1st position.

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.

These pearls of upscale table music, reflecting French, Italian and German urmusikantische dance culture from the style of the time, are again available complete in 3 booklets.

The suite-like arrangement of op.6, with its free treatment of symmetry in dialogues, leads via a round of dances into a 252-bar chaconne of intoxicating sonic splendor.

Sonata I: G major; Sonata II: d minor; Sonata III: a minor

Quantz's first solo sonatas from his Dresden years are indebted to the 'mixed taste' cultivated by the teacher Pisendel, Italian included.

Legrenzi is considered an innovator of instrumental music. The transformation away from the 'style alla Palestrina' to the 'Concerto die Messa' is characteristic of the detachment from the dominance o...

From the illustrious Neapolitan collection of 24 'Concerti di Flauti, Violino, Violetta e Basso Di Diversi Autori' of 1725. A work that works both solo and with choral string instrumentation.

As the most important French composer of his generation, Fr.-A. Danican left behind works that left a lasting mark on the valid art form of opéra-comique.

First Edition

We praise the grandmaster Fasch, whose impressive compositional oeuvre, unpublished during his lifetime, is gradually being 'discovered'. He proves to be a superior contrapuntalist in instrumental pie...