Amadeus

Thanks to their contrapuntal-imitatorial style and concise melodicism, Sammartini's sonatas surpass the duet productions of his time.

The technical and harmonic brilliance with which Rosetti, a master of wind partitas, was able to endow his creations is impressive.

F. M. Simonet dedicated the duos to the famous horn player Domnik (1767 - 1844), who besides horn concertos also wrote a horn school. The duos were written for ensemble playing at conservatories.

The Partita captivates with original ideas and fine nuances of tone color. The predominantly divertimento-like features of the work are oriented toward the symphonic style cultivated in Vienna at the...

The trio, written in 1814, is entirely in the spirit of a 'late' rococo divertimento, playful and virtuosic at the same time.

The quintet was written in 1970 for a vernissage for colored prints. The 5 movements Entrata, Aubade, Elegie, Fuga and Perpetuum mobile are due to the inspiration that grew out of the contemplation of...

Re-transcription from 16th century lute tabulatures and treatises for 2 piccolo flutes, 2 oboes 2nd also English horn, 2 basssons, trumpet in C, 2 horns, trombone, 2 percussion players 3 kettle-drums,...

The technical and harmonic brilliance with which Rosetti, a master of wind partitas, was able to endow his creations is impressive.

Crusell's three clarinet quartets are among the summit works of their genre. They are required reading for every clarinetist. Op.2 was written in 1812.

The large-scale work with the variation movement on the Russian folk song 'Beautiful Minka', formerly only in clarinet version, has today also become a repertoire work for oboe thanks to the original...

One of the most highly accomplished works in clarinet chamber music. The charm of the melodic invention contrasts impressively with the perfect movement technique.