Amadeus

The bass part's independence is evidenced by the carefully placed phrasings as well as the imitative interpolations to the upper voice that break the continuo scheme and the inflections of the octave...

With catalog raisonné.

After the new editions of Güldenstein's 'Theorie der Tonart' and 'Gehörbildung für Musiker', the 'Intervallenlehre' appears as the first publication from the estate.

With contributions by Beat Wyss, Edward T. Hall, Klaus-Ernst Behne, Felix Thürlemann, Helmut Winter, Hansjörg Pauli, Vincent Barras, Ernst Lichtenhahn, Bert Noglik, Werner Klüppelholz.

With original contributions by Peter Widmer, Christian Kaden, Dorothea Baumann, Eero Tarasti, Bert Noglik, Kjell Keller, Stasa Bader, Ernst Lichtenhahn, Arthur Simon, Kenneth Zuckerman, Joachim Latacz...

This volume represents the most comprehensive publication to date on the life and musical work of Peter Mieg. Until his death in December 1990, he was considered one of the most complex artistic perso...