Amadeus

Her compositions are not lacking in formal skill and melodic invention, which is turned towards the tender and sensual.'. The pieces are intended for concert use.

Vierne's works are stylistically influenced by his teachers Cesar Frank and Gabriel Fauré. This is also audible in his 2 pieces from 1895, lovingly recreated in the style of 'Songs without Words'.

Of particular charm in this technically brilliant duet is the sequence of variations on themes from Mozart's opera 'The Marriage of Figaro'.

The 18 sonatas are written in the style of church sonatas. They are short and the sequence of movements is mostly slow - fast - slow - fast. The music lives from the dialogue of the two first voices,...

The 18 sonatas are written in the style of church sonatas. They are short and the sequence of movements is mostly slow - fast - slow - fast. The music lives from the dialogue of the two first voices,...

The 18 sonatas are written in the style of church sonatas. They are short and the sequence of movements is mostly slow - fast - slow - fast. The music lives from the dialogue of the two first voices,...

Quantz's first solo sonatas from his Dresden years are indebted to the 'mixed taste' cultivated by the teacher Pisendel, Italian included.

The Swiss composer Peter Mieg's Concerto for 2 flutes and strings is one of the standard works for this instrumentation: rousing cantabile duo competition.

Edited from the First Edition.

Edited from the first edition.

First Edition