Partituras para instrumentos de cuerdas

Se trata de la primera edición publicada de una obra muy melodiosa y apasionada que se adapta a todos los violinistas de nivel de concierto 8 y, como tal, constituye una importante adición al repertor...

Die Six Silhouettes op. 9 wurden erstmals 1899 in zwei Teilen bei Lienau in Berlin verlegt. Für die erste Serie (Idylle - Douleur - Bizarrerie) wurde eine alternative Violastimme gedruckt, die wir ebe...

Die Silhouettes op. 43 wurden erstmals 1909 in zwei Teilen bei Lienau in Berlin verlegt. Sie tragen den Untertitel 2. Serie, nachdem bereits 1899 Six Silhouettes op. 9 erschienen waren. Die Entwicklun...

Diese bezaubernde Geschichte, verwoben mit achterlesenen Stücken für Violine und Klavier, erzählt das Leben des legendären Geigenbauers Niccolò Amati und seines Lehrlings Raphael. Die Zuhörer werden a...

Diese faszinierende Geschichte mit acht abwechslungsreichen Stücken für Violine und Klavier erzählt von den außergewöhnlichen Errungenschaften und der einzigartigen Magie eines der renommiertesten Gei...

Violin and piano are equal partners in this very melodious and constrastful four-movement work, which demands a high technical standard from both performers.

The double concerto captivates with a fine, lyrical balance between the solo parts and the string ensemble assisted by the harpsichord. Even for amateur orchestras musically-technically achievable!

First Edition

An early work by Joseph Suder with astonishingly mature lines and great melodic breath. The composer himself produced several instrumental variants and combinations in addition to the original version...

From Rosenmüller's collection of sonatas for two to five voices from 1682, which are characterized by a bold experimentation with form and harmony. Executable in the 1st position.

The Sonata is part of the 10 Sonatas collection for 2 to 5 string instruments, is conceived in several movements, and surprises with bold experimentation with form and harmony.

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.

The varied forms of the Trii op. 5 show Handel's proven practice of 'exploiting' the popular thematic wealth of his orchestral works and organ concertos in chamber music.

Schaeuble rated the work as 'good'. There are melodically, harmonically and also compositionally very beautiful things in it'. This is especially true for the slow passages.