Arias de concierto

Tchaikovsky began to write art songs early in his career. From the very beginning it was music of great ingenuity, melodic appeal and a natural flow of emotions. By creating a remarkably memorable mus...

Per due voci e pianoforte / Canto e pianoforte.

This edition of Cantolopera presents five operatic arias for voice and piano, including texts and a CD, featuring both, the instrumental as well as the sung version of each title.

This monograph collection contains three art songs by Francis Poulenc, for voice and piano in the original tonic key on poems by Max Jacob. CINQ POÈMES and PARISIANA. DEUX MÉLODIES, for the upper voca...

35 Selected Songs for high voice and piano. Includes a detailed preface and notes on the sources. Includes a detailed preface and notes on the sources. Different song list for each volume. HIGH VOICE...

A simplified version of this ever-popular and rousing anthem, arranged by Alex Fraser for Voice and Piano.

Seit ihrem Debütkonzert hat sich das Duo Morat-Fergo einen Namen für die Bearbeitung und Interpretation von Klaviermusik aus dem 19. Jahrhundert gemacht. Eines ihrer Kennzeichen ist ihr präzises Zusam...

A new setting of the famous poem by Richard Dehmel that had also inspired Arnold Schoenberg’s string sextet of the same name. piano reduction

The Book of Songs was commissioned by Ian Bostridge and Xuefei Yang. The first performance was given by Robin Tritschler and Xuefei Yang at the Sam Wanamaker Playhouse, Shakespeare's Globe, London, 30...

Dem ursprünglichen Klangideal kommt die Wiedergabe des Begleitparts auf der Gitarre näher als auf dem modernen Klav. Darum ist die Bearbeitung dieser Lieder in besonderem Masse gerechtfertigt. ÖLP

mit einem Vorwort, allen Texten in deutsch und spanisch

Cuatro canciones sobre textos de "La Tempestad" de William Shakespeare: - Próspero I ("Encuentro mi cenit") - Ariel ("Ven a estas arenas amarillas") - Calibán ("No temas") - Próspero II ("Somos tales...

El volumen contiene un detallado epílogo del editor, así como un extenso informe crítico.

El título, un terminus technicus único en esta combinación en la historia de la música, combina el concepto del recitativo, es decir, un estilo de canto más bien libre que sigue el lenguaje hablado, c...

Con ocasión de la ceremonia de inauguración del monumento a Bellini, el 8 de agosto de 1886 en la plaza Bellini de Nápoles, su antiguo condiscípulo y amigo Francesco Florimo publicó el Álbum Bellini:...