Partituras de música clásica

Keys: Suites 1-3: C minor, B flat major, F minor.

Keys: Suites 4-6: D minor, C minor, G minor.

The recorder sonatas are repertoire: they combine instrumental ductus with a balanced alternation of cantabile and figurative themes that serves pedagogical purposes.

The recorder sonatas are repertoire: they combine instrumental ductus with a balanced alternation of cantabile and figurative themes that serves pedagogical purposes.

The sonatas are part of the repertoire of all students. Harmonically and formally always varied and exciting, these 'gems' of chamber music enjoy lasting popularity.

The sonatas are part of the repertoire of all students. Harmonically and formally always varied and exciting, these 'gems' of chamber music enjoy lasting popularity.

The sonatas are part of the repertoire of all students. Harmonically and formally always varied and exciting, these 'gems' of chamber music enjoy lasting popularity.

Sonata IV: C major; Sonata V: B flat major, Sonata VI: C major

Sonata VII: g minor; Sonata VIII: F major; Sonata IX: g minor

Sonata X: F major; Sonata XI: f minor; Sonata XII: a minor

The compositional demands to which he was able to rise are also evident in the six suites op. 35, which are presented here in a version for alto recorder and bc. Heavenly music!

The compositional demands to which he was able to rise are also evident in the six suites op. 35, which are presented here in a version for alto recorder and bc. Heavenly music!

The 3 sonatas are part of a vielle-sonata-convolute, whose discant 'makes do' with one melody line: thanks to their ideal range, they are ideally suited for playing on the alto recorder.

Sonata I: D major, II: G major, III: B flat major, IV: g minor

Sonata V: e minor, VI: B major, VII: a minor, VIII: e minor

Sonata IX: F major, X: B major, XI: C major, XII: F major

The high esteem in which Telemann held this cycle is evidenced by a printing privilege he sought in Paris in 1737, '... to engrave in copper 6 sonatas consisting entirely of melodic canons'.