Partituras de Amadeus flauta

First Edition

First Edition

on themes from Bizet's 'Carmen'

The sonatas are arranged progressively and are excellently suited for learning concertante 'art skills', but do not lack harmonic subtleties.

First Edition

With Foreword and Critical commentary for 2nd Sonata in C major.

As the composition teacher of Princess Anna Amalia of Prussia, the sonatas offer insights into the multifaceted teaching practices of the time. Authentically edited according to three sources.

His present Duos are a fine example of how to write a sprightly and melodious dialogue using modest technical means.

The popular opera arias, stylistically modeled on the national melodic songs of their time, and 'doted' on the flute in both rapturous and brilliant paraphrases, are among the most exquisite of their...

Edited from the frist edition

Edited after the sonatas for violin and piano K. 376 (374d), 296, 377 (374e). The lack of flute sonatas from the master's hand already during his lifetime led to the fact that especially his violin so...

Edited after the sonatas for violin and piano K. 378 (317d), 379 (373a) and 380 (374f). The lack of flute sonatas from the master's hand already led during his lifetime to the fact that especially his...

The Haydn pupil Neukomm gave us with this delightful lyrically as well as dramatically conceived fantasy a valuable 'interlude' committed to operatic bel canto.

The perfectly formed contrapuntal interplay, the compact shaping of the movements show Boni to be a profound connoisseur of the high baroque Italian composer's style.

The complete edition of the 10 sonatas for flute and bc. handed down by Kirnberger is completed with the present 6th volume. The whole is indispensable for school and concert.

Opus 132 is still one of the most frequently published pieces by the master. The characteristic style and playfulness of this late work already hint at the era of the romanticizing salon, as can be se...

In Fürstenau's work, written largely for his own use, the virtuoso element naturally predominates, but frequently alternates, alongside polyphonic interpolations, with elegiac and extended recitative-...

In Fürstenau's trios, the brilliant diction of his friend C. M. von Weber does not seem to have remained without influence at times. Especially in the final movements, virtuosity gives way to the work...

The freshness of the invention and the unmistakable flutistic coloration in all trios with a polyphonic touch should awaken the joy of discovery. The movements offer a feast of witty equal interplay f...

Kummer's chamber music is experiencing a furious renaissance: it is recognized 'that his fantasies are of consummate elegance and always well-set', like his op. 53. Ductus and playfulness in this work...

With its rich ornamentation, passagework interspersed with chromatic steps, and fanned-out chordal playing, Hummel achieves attractive and 'equal' playing moods even in the concertante sonata.

The language of Mozart flows through the elegant, always playful parity of the work of the 'Mozart pupil', without touching his spirit: the dawning romanticism breaks through all too clearly. Suitable...