Partituras de flauta de pico alto

The 3 sonatas are part of a vielle-sonata-convolute, whose discant 'makes do' with one melody line: thanks to their ideal range, they are ideally suited for playing on the alto recorder.

The high esteem in which Telemann held this cycle is evidenced by a printing privilege he sought in Paris in 1737, '... to engrave in copper 6 sonatas consisting entirely of melodic canons'.

The operas 1 to 6 form a rich palette of about 60 solo, trio and quadro sonatas, which, because they are easy to perform and enjoy playing, are highly suitable for didactic purposes as an introduction...

The operas 1 to 6 form a rich palette of about 60 solo, trio and quadro sonatas, which, because they are easy to perform and enjoy playing, are highly suitable for didactic purposes as an introduction...

Graupner's alto recorder concerto, which has since become popular, is entirely committed to the gallant style of its time. It is carefully filed society music of above-average quality and technically...

Composed and edited by Winfried Michel

The suites contain dances and dance-like movements in a loose grouping in the rondeau form very popular in 18th century France. Didactically of high standard.

The suites contain dances and dance-like movements in a loose grouping in the rondeau form very popular in 18th century France. Didactically of high standard.

Trio I also for 1 soprano recorder and 2 treble recorders. In their simple facture the trios remain an ideal performance repertoire for the first steps in ensemble playing.

I. Invention, II. arietta, III. jump dance.