Yvonne Morgan

First Edition.

The work, carried by romantic pathos, reflects the motto 'I know love only from the torment it causes'. carried by the splendor of dreamy melodies.

The six quadros with their French esprit captivate with bold, rapid changes of theme and abundant ornamentation.... At its finest.

The six quartets form the only instrumental cycle that the brilliant French baroque master left us. The rediscovery could not be dispensed with.

Enjoy the work, which is enriched with fine French esprit and captivates with bold, rapid changes of themes and abundant ornamentation.

The chess world champion Philidor also proves himself in his 6 only instrumental quadros: the genius congenially overcomes the baroque compositional scheme.

It gives us and the discoverers of Philidor pleasure to have completely snatched the convolute from oblivion with the 6th quartet. Rewarding and easy.

Edited from the first edition.

First Edition

The rediscovery of the three flute quartets op.99 is an event. The tonal flair, the inimitable melodic melting of the movements are unparalleled.

Rarely has writing for flute quartet been so beguilingly beautiful and ingratiating in a minor key. The pre-Romantic jewel needs no recommendation for permanent appropriation.

This work in C major is the crowning finale of the edition of all 11 extant flute quartets. They WILL become common property for this instrumentation in the near future.

First published around 1786, this work is a splendid example of chamber music with obbligato harpsichord that still bears late Baroque traits, evident in the alternating periods between solos and the...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Guillemain was one of the greatest violin virtuosos of the 18th century. His style-defining brilliant technique, which was considered bizarre with its high register playing and melismas, bordered on t...

Barrière's works, influenced by Italian-inspired subject matter, with their varied, often highly ornamented melodies and frequently bold harmonies, and his playing were met with great respect and admi...

The works, still written in the garb of late Baroque concertante form, reach far into the High Classical period in their 'sensitive manner' as well as melodic invention, despite a continuo-bound bass.

The works, still written in the garb of late Baroque concertante form, reach far into the High Classical period in their 'sensitive manner' as well as melodic invention, despite a continuo-bound bass.

With this trio from the important collection 'Essercizii Musici', Amadeus presents all four trios with obbligato harpsichord as the second melodic part; with a finely tuned realization of the bass to...

In anticipation of changing tastes, Fasch also gives free rein to the elaboration of melodic ideas in this sonata out of canonic rigor: in the process, he becomes one of the decisive pioneers of the n...