Yvonne Morgan

Orchestration: violin I, violin II, viola, basso continuo.

First Edition

First Edition

First Edition

The trios, still breathing the late Baroque ductus, with their varied bass lines already reflect the melodic invention of the High Classical period, especially in the elaborate adagios.

First edition - Edited from the autograph

First edition - Edited from the autograph

First edition - Edited from the autograph

First edition - Edited from the autograph

First edition - Edited from the autograph

There is hardly anything more fascinating about this monumental quintet work; of more than 100, especially in his minor works, Cambini always succeeds in releasing precious thoughts with the interplay...

Massenneau's chamber music is experiencing a renaissance. The 'amiably and well musically set parts' with their compositional perfectionism more than do justice to the high classical models.

The creative impetus, the variability of expression, the never flagging inventiveness can also be found in these 6 quartets 'with 2 violas'. A ravishing 'instrumentation variant' for all violists!

Blake was a violist. His duos sparkle with melodic-thematic refinement, with which he was able to cultivate the specific playing technique of the viola.

Edited from the First edition.